If classics like "Rhythm Song" and "Virginia Tate" are any indication of the appeal of Smadbeck's compositional style, this piece will quickly become a favorite on college campuses.

Truly a beautiful addition to solo marimba literature. While technically accessible to the intermediate player, advanced players can also enjoy the musical possibilities this piece offers.

Elements of African, Latin, Gamelan and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.