Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.

This piece features a medley of popular songs from George and Ira Gershwin's "Porgy and Bess."

Commissioned by the Symblema Percussion Group (France). This Choro is written for 4.3 octave marimba and features Latin salsa rhythms, making this piece fun yet difficult to play.

In 2008, the Ju Percussion ensemble commissioned this work for 8 percussionists from Eric Sammut. Magic Carousel incorporates gypsy, jazz and latin influences.

Sammut's blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut's other works, it is only a matter of time before this becomes a favorite on college campuses.

-- Darin Olson, Percussive Notes

This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut's sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.

Eric Sammut's Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.

Music from Four-Mallet Ballet

Music from Four-Mallet Ballet

Music from Four-Mallet Ballet

Music from Four-Mallet Ballet

Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly "French" in its style and harmony, but a smidge easier than Rotations 1 and 3.

For marimba, clarinet, and string bass - a surprisingly fresh sound combination. This rhythmically and harmonically exciting work provides a fun challenge to all involved.

These pieces have all the attributes of crowd pleasers" catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.

One of the most beautiful and romantic of Chopin's piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.

Puccini "a la Sammut" makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini's famous opera.

These pieces have all the attributes of crowd pleasers: catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.

Already a hit! The theme is based on the music of Astor Piazzolla, but the style is unmistakably Sammut.

These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a "liberate" style.