Inspired by the final confrontation of the Boy Who Lived and He-Who-Shall-Not-Be-Named.

Two movements from Bach's C-minor lute suite, arranged for marimba and vibraphone.

A setting of a Conrad Aiken poem for soprano, vibraphone, cello, and piano.

An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.

A modern, energetic percussion ensemble piece that blends Baroque, Metal and Jazz music.

Premiered at PASIC 2017, MAG7 is a virtuosic ensemble piece that infuses multiple genres and artistic influences.

Written in tribute to a lost friend, this poignant piece will cause you to reflect on the important relationships in your life.

Commissioned for Escape X, this marimba duo uses shell bracelets and ankle bells to create imagery of sand dunes.

A marimba quartet inspired by the Sonoran Desert of the Southwestern United States.

An avant-garde duet for marimba and cello, accompanying a video by Ann Steuemagel.

A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.

A novelty percussion quartet where everything played (and everything spoken) is made of glass.

A new marimba quartet inspired by the garden of impressionist painter Claude Monet.

Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.

One of Hatch's most popular pieces, now arranged for marimba/vibraphone trio.

The sequel to Rhythmic Etude No. 1, Muzquiz gives percussionists more of the style, challenge and excitement that made its predecessor so successful.

An exciting work that will challenged the most advanced percussion ensembles.

A short but exciting piece for multi-percussion quartet.

Written in tribute to percussion retail giant Steve Weiss, this mixed percussion ensemble piece for 12 players combines minimalism, quartal harmonies, improvisation and Afro-Cuban drumming.

The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra and arranges it for solo xylophone with marimba band accompaniment.