A multi-percussion trio inspired by three of the greatest rock and fusion drum set players.

A percussion septet with bells, crotales, vibraphones and marimbas.

A difficult marimba duet by Gordon Stout.

Music originally for guitar in Brazilian folk style, written by Augusto Marcellino.

A virtuoso duet for marimba and drum set.

Stout's third work for marimba orchestra, featuring two marimba soloists.

A duet for two five-octave marimbas.

Masters of the Vibes is a celebration of the vibraphone and the artists who play it on the highest level. Musician/author Anthony Smith leads readers on an entertaining, informative journey through the history of this beautiful sounding, but sometimes overlooked, instrument through stimulating conversations with a wide variety of vibes players.

Sammut's Four Rotations have become some of the most frequently performed works for solo marimba. And this new arrangement re-imagines the catchy rhythms, memorable melodies and swinging, jazzy harmonies of the original - for marimba and string quintet.

This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.

Serenade is in six movements with contrasting styles.

The Brazilian-Portugese title Beija Flor translates to "hummingbird" in English. The piece draws heavily on the Brazilian bossa nova style and is inspired by sounds found in nature.

Eric Sammut's Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Multum in Parvis differs from Helble's other percussion orchestra works in that most of the material is introduced and developed by membranophones rather than keyboards.

Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!

Morphic Resonance is a difficult work for solo 5.0 marimba. As it morphs through many different styles and sections it will challenge the most advanced marimbist, while providing a rewarding musical experience.

Commissioned by Theodor Milkov, this piece is a massive, weighty, tonally contrapuntal, and technically brilliant tour de force.

An exciting addition to the multi-percussion repertoire, Naomi Sekiya beautifully blends the piano in with the multiple percussion in this tour-de-force. With shifting time signatures, tone clusters and tricky tutti rhythmic passages, this piece will work incredibly well for an advanced degree recital or professional performance.