Masters of the Vibes is a celebration of the vibraphone and the artists who play it on the highest level. Musician/author Anthony Smith leads readers on an entertaining, informative journey through the history of this beautiful sounding, but sometimes overlooked, instrument through stimulating conversations with a wide variety of vibes players.

Sammut's Four Rotations have become some of the most frequently performed works for solo marimba. And this new arrangement re-imagines the catchy rhythms, memorable melodies and swinging, jazzy harmonies of the original - for marimba and string quintet.

This piece attempts to create a kind of wavering sustain by tasking each marimba with a similar-but-different part in the same register. That sound inspired the name of the work. The title is also meant to hint at the two most important musical forces in the piece: meters and mediants.

Serenade is in six movements with contrasting styles.

The Brazilian-Portugese title Beija Flor translates to "hummingbird" in English. The piece draws heavily on the Brazilian bossa nova style and is inspired by sounds found in nature.

Eric Sammut's Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Multum in Parvis differs from Helble's other percussion orchestra works in that most of the material is introduced and developed by membranophones rather than keyboards.

Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!

Morphic Resonance is a difficult work for solo 5.0 marimba. As it morphs through many different styles and sections it will challenge the most advanced marimbist, while providing a rewarding musical experience.

Commissioned by Theodor Milkov, this piece is a massive, weighty, tonally contrapuntal, and technically brilliant tour de force.

An exciting addition to the multi-percussion repertoire, Naomi Sekiya beautifully blends the piano in with the multiple percussion in this tour-de-force. With shifting time signatures, tone clusters and tricky tutti rhythmic passages, this piece will work incredibly well for an advanced degree recital or professional performance.

This work for 4.3 marimba is a medium-easy to medium-difficult, tonal, 4-mallet solo in which technical difficulties like fast interval changes are avoided.

This arrangement of Eric Sammut's Rotation 1 by Andrea Venet is for a percussion ensemble of 10-14 players. The arrangement is a fun, relatively short work for large percussion ensemble that would fit well in any percussion ensemble concert and could be performed by advanced high school and college percussion programs.

Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.

Domenico Scarlatti (1695-1757) was an Italian composer best known for his 555 keyboard sonatas. The keyboard sonatas were composed mainly for the harpsichord or early fortepiano. This collection includes Sonata in G Major K.2 L.388 and Sonata in e minor K. 98 L.325 arranged for solo marimba.

Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.

This marimba part to this version is exactly the same as the original for solo marimba (2010). There are now additional string parts (two violins, viola, and cello) to accompany this solo. An even more beautiful version of one of Stout's most beautiful compositions.

My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.