A marimba quartet inspired by the Sonoran Desert of the Southwestern United States.

Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.

An avant-garde duet for marimba and cello, accompanying a video by Ann Steuemagel.

A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.

A novelty percussion quartet where everything played (and everything spoken) is made of glass.

A new marimba quartet inspired by the garden of impressionist painter Claude Monet.

Composed for NEXUS, this piece for percussion quartet and vocalist was written to bring awareness to environmental sustainability.

Commissioned by the Escape X Percussion Duo, Locke's programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey's most famous highways.

One of Hatch's most popular pieces, now arranged for marimba/vibraphone trio.

One of Hatch's most popular pieces, now arranged for four-mallet solo marimba.

The sequel to Rhythmic Etude No. 1, Muzquiz gives percussionists more of the style, challenge and excitement that made its predecessor so successful.

An exciting work that will challenged the most advanced percussion ensembles.

A short but exciting piece for multi-percussion quartet.

The most detailed text ever written on the subject of four-mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument. Now in a Spanish translation by David Valdés.

Written in tribute to percussion retail giant Steve Weiss, this mixed percussion ensemble piece for 12 players combines minimalism, quartal harmonies, improvisation and Afro-Cuban drumming.

The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes and arranges a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra. NOW AVAILABLE FOR SOLO XYLOPHONE WITH PIANO ACCOMPANIMENT.

Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.

The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra and arranges it for solo xylophone with marimba band accompaniment.

Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting "Water Marks" is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.

This composition written for two marimbas musically depicts three different winter impressions. The piece, through its three movements, evokes imagery of both fluid and frozen water, a landscape with ice trees, and a wild blizzard.