In 2008, the Ju Percussion ensemble commissioned this work for 8 percussionists from Eric Sammut. Magic Carousel incorporates gypsy, jazz and latin influences.
In 2008, the Ju Percussion ensemble commissioned this work for 8 percussionists from Eric Sammut. Magic Carousel incorporates gypsy, jazz and latin influences.
A Sammut original! Performed by Jasmin Kolberg on her CD, Mosaique, this rhythmic, dancing piece is sure to be an audience pleaser.
A Sammut original! Performed by Jasmin Kolberg on her CD, Mosaique, this rhythmic, dancing piece is sure to be an audience pleaser.
Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.
Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.
“With (this CD), I wanted to express two aspects of my musical personality: the “classical” side and the “jazzy” side. With the exception of Zapateado, all of the repertoire is original, but in an extremely wide-ranging styles.”- Eric Sammut
“With (this CD), I wanted to express two aspects of my musical personality: the “classical” side and the “jazzy” side. With the exception of Zapateado, all of the repertoire is original, but in an extremely wide-ranging styles.”- Eric Sammut
Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.
Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.
Sammut’s Four Rotations have become some of the most frequently performed works for solo marimba. And this new arrangement re-imagines the catchy rhythms, memorable melodies and swinging, jazzy harmonies of the original – for marimba and string quintet.
Sammut’s Four Rotations have become some of the most frequently performed works for solo marimba. And this new arrangement re-imagines the catchy rhythms, memorable melodies and swinging, jazzy harmonies of the original – for marimba and string quintet.
These pieces have all the attributes of crowd pleasers” catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers” catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers” catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers” catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers: catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers: catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut’s sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.
This groove-based marimba duo is full of energy and is ideal for showcasing two advanced marimbists. Sammut’s sweet jazz harmonies and rhythmic drive make this a wonderful addition to the marimba duo repertoire.
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a “liberate” style.
These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a “liberate” style.
This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”
This piece features a medley of popular songs from George and Ira Gershwin’s “Porgy and Bess.”
