Marimba

Rhythm Song

$14.00$17.00

Elements of African, Latin, Gamelan and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.

Elements of African, Latin, Gamelan and Jazz Fusion. Can be performed as an unaccompanied solo or with any number of doublings in unison or at the octaves. Great for marimbistic get-togethers when several players know the work.

Rumble Strips

$17.00$20.00

As the title suggests, it is a musical depiction of the warning bumps or grooves often found on roadways. With its two-movement format of slow-fast, it could serve as an alternative program selection to Merlin.

As the title suggests, it is a musical depiction of the warning bumps or grooves often found on roadways. With its two-movement format of slow-fast, it could serve as an alternative program selection to Merlin.

Sara’s Song

$10.00$11.00

Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.

Sara’s Song was written in 2005 for one of my dear friends’ daughter’s wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.

Scirocco

$14.00$17.00

This piece is dedicated to marimba virtuoso She-e Wu who implored Burritt to write something “over the top”. The title means “hot desert wind” and refers to the intense swirling character of the melodic lines.

This piece is dedicated to marimba virtuoso She-e Wu who implored Burritt to write something “over the top”. The title means “hot desert wind” and refers to the intense swirling character of the melodic lines.

Six Suites for Marimba (Bach/trans. Stevens)

$37.00$43.00

Two books in one binding, 106 pages. LHS’ Marimbists’ Guide to Performing Bach contains 17 sections covering tempo, ornamentation, articulation, mallet choice, production of legato, etc.

Two books in one binding, 106 pages. LHS’ Marimbists’ Guide to Performing Bach contains 17 sections covering tempo, ornamentation, articulation, mallet choice, production of legato, etc.

The Revolutionary (Chopin/arr. Eric Sammut)

$17.00$20.00

One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.

One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.

Time Traveler

$46.00$53.00

For a marimba soloist and percussion quartet, relating to the ideas of time in the sense of time passing and in the musical sense such as its use in time signature, rhythm, and beat.

For a marimba soloist and percussion quartet, relating to the ideas of time in the sense of time passing and in the musical sense such as its use in time signature, rhythm, and beat.

Tune for Mary O.

$10.00

An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary 0.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.

An unusually lyrical work with a minimalistic influence. Based on Irish folk themes, “Tune for Mary 0.” is a fine recital work that uses a blend of lateral sticking techniques to create melodic and accompanimental patterns.

Variations on Lost Love

$14.00$17.00

A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.

A beautiful to berserk theme and variations, Variations is a large scale work in four sections that has advanced technical challenges, but is within the reach of a good four mallet player. Lyrical use of the one-handed roll in octaves for a principal melody.

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