180
$57.00 – $66.00A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
A One Way Ticket is inspired by a poem of Kelsey Burritt’s entitled Drone. This percussion duet was written for and performed by the percussion duo, Escape X.
A One Way Ticket is inspired by a poem of Kelsey Burritt’s entitled Drone. This percussion duet was written for and performed by the percussion duo, Escape X.
A marimba duet commissioned by the percussion duo Escape X.
A marimba duet commissioned by the percussion duo Escape X.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
Arranged for marimba duo
Arranged for marimba duo
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
‘Applause’ takes its place alongside such classics of the genre as ‘Let’s Give Them a Hand’ and ‘Syncopate My Afuche’. This is just what the percussion world needs – more pieces without instruments!
‘Applause’ takes its place alongside such classics of the genre as ‘Let’s Give Them a Hand’ and ‘Syncopate My Afuche’. This is just what the percussion world needs – more pieces without instruments!
A short but exciting piece for multi-percussion quartet.
A short but exciting piece for multi-percussion quartet.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
An avant-garde duet for marimba and cello, accompanying a video by Ann Steuemagel.
An avant-garde duet for marimba and cello, accompanying a video by Ann Steuemagel.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Written for the Index 4 Percussion Quartet after a trip to Anghor Vat in 1998.
Written for the Index 4 Percussion Quartet after a trip to Anghor Vat in 1998.
“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.
“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.