180
$57.00 – $66.00A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
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Showing 1–16 of 110 results
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Filters
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Showing 1–16 of 110 results
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Filters
Anima
$43.00 – $50.00“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
Applause
$11.00‘Applause’ takes its place alongside such classics of the genre as ‘Let’s Give Them a Hand’ and ‘Syncopate My Afuche’. This is just what the percussion world needs – more pieces without instruments!
‘Applause’ takes its place alongside such classics of the genre as ‘Let’s Give Them a Hand’ and ‘Syncopate My Afuche’. This is just what the percussion world needs – more pieces without instruments!
Auburn Run-Out
$18.00A short but exciting piece for multi-percussion quartet.
A short but exciting piece for multi-percussion quartet.
Aurora Borealis
$24.00A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
Bayon Pearnik
$37.00Written for the Index 4 Percussion Quartet after a trip to Anghor Vat in 1998.
Written for the Index 4 Percussion Quartet after a trip to Anghor Vat in 1998.
Bicksa
$24.00“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.
“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.
Circus Plenus Clamor Ingens Ianuae Tensae
$35.00The second-place winner in the 2003 PAS composition contest for percussion ensemble. The title means, “The circus is full. An enormous clamor. The gates are bulging.”
The second-place winner in the 2003 PAS composition contest for percussion ensemble. The title means, “The circus is full. An enormous clamor. The gates are bulging.”
Concerto for Five Timpani and Orchestra Op. 31
Available For Rental OnlyThis concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).
This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).
Concerto for Marimba and Orchestra
Available For Rental OnlyWinner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Concerto for Marimba and Percussion Ensemble
$69.00This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.
This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.
Concerto for Timpani, Percussion and Winds
$120.00Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.
Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.