Chamber/Ensemble

Concerto for Marimba & Orch. Piano Reduction

$38.00$44.00

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Concerto for Marimba and String Orch.—Piano Red.

$50.00

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Diptych No. 4

$20.00

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Hermes Piano Reduction (Timpani Concerto)

$20.00

Hermes is a virtuostic showpiece for the advanced timpanist. It is one of the few large-scale works that feature the timpanist. Each of the four movements depict an aspect of the ancient Greek god Hermes. Also available as piano reduction.

Hermes is a virtuostic showpiece for the advanced timpanist. It is one of the few large-scale works that feature the timpanist. Each of the four movements depict an aspect of the ancient Greek god Hermes. Also available as piano reduction.

Lahara

$33.00$39.00

Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

Sonata For Solo Side Drum And Percussion Trio

$32.00

This piece was written to exploit the possibilities of a solo side drum set against a small group of other percussion instruments, as well as explore relative (rather than absolute) pitch in addition to rhythm and timbre.

This piece was written to exploit the possibilities of a solo side drum set against a small group of other percussion instruments, as well as explore relative (rather than absolute) pitch in addition to rhythm and timbre.

Warrior from the Deep

$40.00

One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes

One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes