Showing 1–16 of 60 results
Showing 1–16 of 60 results
A One Way Ticket is inspired by a poem of Kelsey Burritt’s entitled Drone. This percussion duet was written for and performed by the percussion duo, Escape X.
A One Way Ticket is inspired by a poem of Kelsey Burritt’s entitled Drone. This percussion duet was written for and performed by the percussion duo, Escape X.
A marimba duet commissioned by the percussion duo Escape X.
A marimba duet commissioned by the percussion duo Escape X.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
An avant-garde duet for marimba and cello, accompanying a video by Ann Steuemagel.
An avant-garde duet for marimba and cello, accompanying a video by Ann Steuemagel.
Rudimental Duo (any two drums with different timbres)
Rudimental Duo (any two drums with different timbres)
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.
Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.
Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.
Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.
Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.
