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$57.00 – $66.00A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
‘Applause’ takes its place alongside such classics of the genre as ‘Let’s Give Them a Hand’ and ‘Syncopate My Afuche’. This is just what the percussion world needs – more pieces without instruments!
‘Applause’ takes its place alongside such classics of the genre as ‘Let’s Give Them a Hand’ and ‘Syncopate My Afuche’. This is just what the percussion world needs – more pieces without instruments!
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
A short but exciting piece for multi-percussion quartet.
A short but exciting piece for multi-percussion quartet.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
Based on traditional military drum beats and on Steve Gadd’s military samba ‘Duke’s Lullaby.’
Based on traditional military drum beats and on Steve Gadd’s military samba ‘Duke’s Lullaby.’
Written for the Index 4 Percussion Quartet after a trip to Anghor Vat in 1998.
Written for the Index 4 Percussion Quartet after a trip to Anghor Vat in 1998.
“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.
“Bicksa” is Hungarian for small, sharp knife. Thus, the character of the quartet is best describes as sharp, aggressive, and articulate. Each of the four players has a refreshingly manageable multi-percussion set-up.
Soloist: 5.0 octave marimba Percussion 1: Vibraphone, Slapstick, Pop gun, Large Opera Gong, 2 earthplates, Sus. Cymbal Percussion 2: Glockenspiel, Snare Drum, Duck call, Train Whistle, *Boing, *Bag of junk, […]
This piece is scored for a large array of standard percussion instruments including brake drums, woodblocks, glockenspiel, cowbells, marimba, bass drum, and even muted Chinese gongs.
This piece is scored for a large array of standard percussion instruments including brake drums, woodblocks, glockenspiel, cowbells, marimba, bass drum, and even muted Chinese gongs.
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
Dex moves through a myriad of textures, colors, and metric modulations to create a sort of “drumming fanfare” that is both fun to play and experience as a listener.
Dex moves through a myriad of textures, colors, and metric modulations to create a sort of “drumming fanfare” that is both fun to play and experience as a listener.