Chamber/Ensemble

Acquiescent Blues

$34.00$40.00

My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.

My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.

Aqalani

$35.00

Aqalani is a Navajo greeting which can mean either hello or goodbye. Written for eight players and optional chorus, the percussion are divided into two groups of 4.

Aqalani is a Navajo greeting which can mean either hello or goodbye. Written for eight players and optional chorus, the percussion are divided into two groups of 4.

Atenteben

$24.00$28.00

Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.

Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.

Capriccio for Tuba and Marimba

$25.00$29.00

Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.

Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.

Characteristic Signs of Stress

$45.00

Composed for PASIC 2004, these four minutes are not for the faint of heart! The motivation behind the piece comes from the sheer stress resulting from the logistics of assembling and preparing for a showcase performance.

Composed for PASIC 2004, these four minutes are not for the faint of heart! The motivation behind the piece comes from the sheer stress resulting from the logistics of assembling and preparing for a showcase performance.

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