Chamber/Ensemble

Different But One Body

$38.00

For vibraphone solo and three percussionists, this
piece, through its four movements, serves to both
fulfill the expectation of dynamic yet transparent
writing and set new ones with its textural and
compositional methods. The energy in this music
allows it to fit into many concert and recital
settings while the unique instrumentation serves as a
palette cleanser next to many solo keyboard settings.

For vibraphone solo and three percussionists, this
piece, through its four movements, serves to both
fulfill the expectation of dynamic yet transparent
writing and set new ones with its textural and
compositional methods. The energy in this music
allows it to fit into many concert and recital
settings while the unique instrumentation serves as a
palette cleanser next to many solo keyboard settings.

Dining Room Music

$15.00

Scored for “four percussionists and tableware,” inspired by John Cage’s ‘Living Room Music’. As the composer explains, “Dining Room Music” uses Cage’s rhythmic structures, but in reverse order….

Scored for “four percussionists and tableware,” inspired by John Cage’s ‘Living Room Music’. As the composer explains, “Dining Room Music” uses Cage’s rhythmic structures, but in reverse order….

Echoes

$40.00

This percussion quartet won 2nd place in the 2004 Percussive Arts Society Composition Contest. It is sure to excite players and audiences around the globe and has already been performed by Northernwestern University and Rutgers University.

This percussion quartet won 2nd place in the 2004 Percussive Arts Society Composition Contest. It is sure to excite players and audiences around the globe and has already been performed by Northernwestern University and Rutgers University.

Kyti

$30.00

Kyti is based in constant dialogs between the five percussion groups, sometimes in distant opposition, and more often in very close imitative gestures. These musical gestures are mainly based on micro-canons that continuously overlap, and create a polyphony that allows the sound to displace itself in space with its own rhythm, in constant dialog with the physical rhythm of the percussive attacks.

Kyti is based in constant dialogs between the five percussion groups, sometimes in distant opposition, and more often in very close imitative gestures. These musical gestures are mainly based on micro-canons that continuously overlap, and create a polyphony that allows the sound to displace itself in space with its own rhythm, in constant dialog with the physical rhythm of the percussive attacks.

1 2 3 5