Showing 65–76 of 76 results
Showing 65–76 of 76 results
Ensemble for 4 percussionists. The “cage” theme is exhibited in the way the performers create a constantly evolving visual cage with their sticks.
Ensemble for 4 percussionists. The “cage” theme is exhibited in the way the performers create a constantly evolving visual cage with their sticks.
This four-movement work for five percussionists is featured on the latest NEXUS CD, Drumtalker. Throughout the composition Hartenberger uses elements of talking drum styles and the rhythm patterns of West African drumming ensembles.
This four-movement work for five percussionists is featured on the latest NEXUS CD, Drumtalker. Throughout the composition Hartenberger uses elements of talking drum styles and the rhythm patterns of West African drumming ensembles.
A PAS prize-winning composition for solo multi-percussion and percussion quartet.
A PAS prize-winning composition for solo multi-percussion and percussion quartet.
Solo Percussion with 3 percusionists. Written for the Exit Nine, this piece demands advanced players ready for some seriously intense Burritt.
Solo Percussion with 3 percusionists. Written for the Exit Nine, this piece demands advanced players ready for some seriously intense Burritt.
Trio for 2 cowbells, 2 drums, and 1 temple block. The temple block keeps steady time while the other 2 players develop a 2-bar rhythmic theme.
Trio for 2 cowbells, 2 drums, and 1 temple block. The temple block keeps steady time while the other 2 players develop a 2-bar rhythmic theme.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
(1993) 5 players – glockenspiel/crotales, songbells (may substitute second vibraphone), vibraphone, marimba, piano. All parts are moderately difficult. 9 minutes.
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
(2002) 5 players – glockenspiel, songbells, vibraphone, marimba, suspended cymbals. Based on the song by Toru Takemitsu. “…a timeless, exotic sound that creates the atmosphere of a Zen garden.” —Terry O’Mahoney, Percussive Notes, 1995
Great novelty piece! Audiences go wild over the Lone Ranger theme, played by a tin can quartet!
Great novelty piece! Audiences go wild over the Lone Ranger theme, played by a tin can quartet!
Pronounced “shpoo-ha”, this work is a very aggressive, rhythmic, drumming ensemble for 4 percussionists. At times played barbarically and savagely, Xpu-Ha Experiment is written in the form of a tribal dance. It will undoubtedly prove to be a very intense 7-minute experience for the players and audience alike.
Pronounced “shpoo-ha”, this work is a very aggressive, rhythmic, drumming ensemble for 4 percussionists. At times played barbarically and savagely, Xpu-Ha Experiment is written in the form of a tribal dance. It will undoubtedly prove to be a very intense 7-minute experience for the players and audience alike.
