Marimba

Asturias (Albeniz/arr. Leigh Howard Stevens)

$12.00

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

Children’s Corner (Debussy/arr. Leigh Howard Stevens)

$18.00

Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

Earth Tones

$32.00

Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.

Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.

Greensleeves (Traditional/arr. Gordon Peters)

$5.00

Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes

Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes

looking at ‘r’

$25.00

A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.

A second-place winner in the 1999 PAS composition contest for keyboard duet. Looking at “r” is a terrifically fun and accessible marimba duo. Once you hear it you will want to play it! Medium difficulty but sounds hard.

Mallet Palette

$20.00

“The variety of materials in each section make this a worthy composition, which is well within the level of an advanced high school or young undergraduate student.”-Percussive NotesThe composer’s taste for consonance and dissonance is evidenced by his playful bantering between pentatonic, chromatic, minor and major. Agogic and dynamic accents enhance colorful pops of dissonance that permeate the otherwise tonal realm and contribute to the intensity and forward movement. This piece ends where it began, with a finishing touch.

“The variety of materials in each section make this a worthy composition, which is well within the level of an advanced high school or young undergraduate student.”-Percussive NotesThe composer’s taste for consonance and dissonance is evidenced by his playful bantering between pentatonic, chromatic, minor and major. Agogic and dynamic accents enhance colorful pops of dissonance that permeate the otherwise tonal realm and contribute to the intensity and forward movement. This piece ends where it began, with a finishing touch.

Not What I Expected

$42.00

A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes

A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.”Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful.”- Percussive Notes

Sea Monkey

$13.00

The 1st-place winner in the 2010 PAS composition contest for marimba/cello duo.Its programmatic title references a 1957 aquarium product that was originally called “Instant Life” because it was a species of brine shrimp that, when released int water, emerged from their cryptobiotic state and became “alive.” The first movement of this work is titled “Cryptobiosis” and the second, “Instant Life.”

The 1st-place winner in the 2010 PAS composition contest for marimba/cello duo.Its programmatic title references a 1957 aquarium product that was originally called “Instant Life” because it was a species of brine shrimp that, when released int water, emerged from their cryptobiotic state and became “alive.” The first movement of this work is titled “Cryptobiosis” and the second, “Instant Life.”