Marimba

Afwa Yuovu

$20.00

With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).

With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).

Asturias (Albeniz/arr. Leigh Howard Stevens)

$12.00

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

Children’s Corner (Debussy/arr. Leigh Howard Stevens)

$18.00

Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.

Earth Tones

$32.00

Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.

Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.

Echoes No. 1 for Marimba and Delay

$12.00

Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.

Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.

For The Gap

$17.00

This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug

This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug

Greensleeves (Traditional/arr. Gordon Peters)

$5.00

Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes

Scored in A minor, the familiar “Greensleeves” takes the performer through two verses of the short, 47-measure composition. This arrangement would be appropriate for the intermediate-level keyboard percussionist.- Percussive Notes

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