Abandoned Roadside Chorale
$12.00A marimba duet commissioned by the percussion duo Escape X.
A marimba duet commissioned by the percussion duo Escape X.
Showing 1–20 of 43 results
Showing 1–20 of 43 results
A marimba duet commissioned by the percussion duo Escape X.
A marimba duet commissioned by the percussion duo Escape X.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
A virtuoso duet for marimba and drum set.
A virtuoso duet for marimba and drum set.
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
A difficult marimba duet by Gordon Stout.
A difficult marimba duet by Gordon Stout.
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada.”
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada.”
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.
Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
The 1st-place winner in the 1996 PAS composition contest for marimba solo with piano accompaniment.
The 1st-place winner in the 1996 PAS composition contest for marimba solo with piano accompaniment.
Duo Concertante for Vibraphone and Marimba is a bravura crowd pleaser for two strong players. The style has a baroque flavor, offering players and audiences to hear the materials develop, cross and re-cross parts, and engage in contrapuntal arabesques.
Duo Concertante for Vibraphone and Marimba is a bravura crowd pleaser for two strong players. The style has a baroque flavor, offering players and audiences to hear the materials develop, cross and re-cross parts, and engage in contrapuntal arabesques.
This unique five-movement duet for snare drum and marimba embraces the timbral contrasts between both instruments, while also experimenting with the colors created while they are played simultaneously. A very musically demanding work!
This unique five-movement duet for snare drum and marimba embraces the timbral contrasts between both instruments, while also experimenting with the colors created while they are played simultaneously. A very musically demanding work!