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Showing 1–20 of 31 results
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Showing 1–20 of 31 results
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Concerto for Marimba & Orch. Piano Reduction
$38.00 – $44.00Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Concerto for Marimba and Orchestra
Available For Rental OnlyWinner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Concerto for Marimba and String Orch.—Piano Red.
$50.00 – $55.00Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Concerto for Percussion & Wind Ensemble
$30.00 – $33.00First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
Crawl, Walk, Run
$58.00 – $64.00Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Danse
$10.00 – $11.00A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
Diptych
$11.00 – $13.00Solo piece for marimba with multiple percussion
Solo piece for marimba with multiple percussion
Etude Op. 6 No. 2, Ab Major
$12.00 – $13.00A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.
A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.
Gymnopedia
$17.00 – $19.00For solo marimba with piano accompaniment.
For solo marimba with piano accompaniment.
In Nebulous Suspension Held
$20.00A third-place winner in the 2010 PAS composition contest for marimba/cello duo. Marimba and Cello Duet or Unaccompanied Marimba
A third-place winner in the 2010 PAS composition contest for marimba/cello duo. Marimba and Cello Duet or Unaccompanied Marimba
Liquid Bars
$30.00Rehearsal and accompaniment tracks available for download here.
Rehearsal and accompaniment tracks available for download here.
Mirages
$48.00 – $53.00Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.
Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.
Old Man Jazz (Gene Quaw/arr. Yurika Kimura)
$22.00 – $24.00Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.
