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Furioso and Valse (Earl Hatch/4-mallet arr. Claudio Santangelo)

$18.00$20.00

One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.

One of Hatch’s most popular pieces, now arranged for four-mallet solo marimba.

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Grand Overture (Giuliani/arr. James Moyer)

$15.00

Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!

Grand Overture was originally a major work for guitar. Now that it has been transcribed, it represents a major work for us as well. Giuliani’s huge contribution to guitar music is standard repertoire for guitarists world-wide. This transcription remains true to the original in both key and pitch and employs numerous advanced four-mallet techniques. If you are looking for a well-written grand show piece, this is it!

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In Sweet September (James Monaco/arr. Yurika Kimura)

$22.00$24.00

In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

In Sweet September was composed by James Monaco, with lyrics by Edgar Leslie and Pete Wendling. It was recorded in 1920 by The All Star Trio , a group that featured Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone.This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

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Mighty Lak a Rose (Nevin/arr. Bob Becker)

$10.00$11.00

A four-mallet marimba solo arranged from the song by Ethelbert Nevin in the classic style of Sammy Herman. Fairly easy technically, but stylistically tricky.

A four-mallet marimba solo arranged from the song by Ethelbert Nevin in the classic style of Sammy Herman. Fairly easy technically, but stylistically tricky.

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Solos Arrangement/Transcription
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Mini Suite III (Bach/trans. Leigh Howard Stevens)

$11.00$13.00

Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

Excerpt from Leigh Howard Stevens’ Marimbists’ Guide to Performing Bach – A selection of movements from Bach’s third suite for Violoncello solo, BWV 1009

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Musetta’s Waltz (Puccini/arr. Eric Sammut)

$18.00$20.00

Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.

Puccini “a la Sammut” makes for a delightful dish! In this beautiful arrangement, Sammut uses the singing characteristics of the marimba to bring out the simple, lyrical elements of Puccini’s famous opera.

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Prelude and Fugue in B-flat Major (Bach/arr. Leigh Howard Stevens)

$8.00$9.00

A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.

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Prelude in C (by J.S. Bach/arr. Naoko Takada)

$10.00$11.00

J.S. Bach’s Prelude in C (from “The Well-Tempered Clavichord”), arranged for marimba by Naoko Takada.

J.S. Bach’s Prelude in C (from “The Well-Tempered Clavichord”), arranged for marimba by Naoko Takada.

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Prelude in G Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$18.00$20.00

It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

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Sonata in A Minor (Bach/arr. Leigh Howard Stevens)

$11.00$13.00

This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.

This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.

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Sonata in B Minor (Bach/arr. Leigh Howard Stevens)

$11.00$13.00

Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.

Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.

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