Showing 21–40 of 262 results
Showing 21–40 of 262 results
A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.
A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
This seven-movement suite for solo marimba contains a Prelude, Allemande, Courante, Sarabande, two Bourrees, and a Gigue.
This seven-movement suite for solo marimba contains a Prelude, Allemande, Courante, Sarabande, two Bourrees, and a Gigue.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.
A virtuoso duet for marimba and drum set.
A virtuoso duet for marimba and drum set.
The 1st-place winner in the 1998 PAS composition contest for solo marimba.
The 1st-place winner in the 1998 PAS composition contest for solo marimba.
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.
Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.
This 12-bar blues in C takes advantage of the mysteriously hip, subtle and “backstreet” quality of the marimba’s low range.
This 12-bar blues in C takes advantage of the mysteriously hip, subtle and “backstreet” quality of the marimba’s low range.
A difficult marimba duet by Gordon Stout.
A difficult marimba duet by Gordon Stout.
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada.”
Part of “The Naoko Takada Series – Music Composed For and Performed By Naoko Takada.”
Caméléon is a longer, more ambitious work, with more serious harmonic and melodic content, but it still has Eric’s hints of jazz overtones.
Caméléon is a longer, more ambitious work, with more serious harmonic and melodic content, but it still has Eric’s hints of jazz overtones.
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.
Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.
A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.
A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.
Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.
Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.
Cerulean Landscape was written for solo marimba (5.0) in 2013 for Japanese marimbist Kana Omori. It is a moderately difficult work of 5’40” in length, in a freely composed style and form, progressing through various beautiful and lyrical landscapes. This is an excellent work to showcase the versatility and expressiveness of your musicality, and is highly recommend for a college level recital.
Cerulean Landscape was written for solo marimba (5.0) in 2013 for Japanese marimbist Kana Omori. It is a moderately difficult work of 5’40” in length, in a freely composed style and form, progressing through various beautiful and lyrical landscapes. This is an excellent work to showcase the versatility and expressiveness of your musicality, and is highly recommend for a college level recital.
