Marimba

BURRITT-A-COVER
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Azure

$21.00 – $24.00
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A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.

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Balaphuge

$10.00
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Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.

Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.

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Beads of Glass

$14.00 – $17.00
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Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.

Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.

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Bluegrass Girl

$8.00
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Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.

Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.

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Caméléon

$14.00 – $17.00
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Caméléon is a longer, more ambitious work, with more serious harmonic and melodic content, but it still has Eric’s hints of jazz overtones.

Caméléon is a longer, more ambitious work, with more serious harmonic and melodic content, but it still has Eric’s hints of jazz overtones.

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Caritas

$15.00 – $18.00
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Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.

Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.

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Carmen Fantasy (Bizet/arr. Eric Sammut)

$17.00 – $20.00
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Eric Sammut has arranged three charming movement’s from Bizet’s famous opera. Each movement has its own character but with a hint of Sammut’s well known style.

Eric Sammut has arranged three charming movement’s from Bizet’s famous opera. Each movement has its own character but with a hint of Sammut’s well known style.

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Castle Valse Classique (A. Dvorak/arr. Kimura)

$22.00
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The name Castle Valse refers to the dance team Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. They appeared with Earl Fuller’s Rector Novelty Orchestra at Rector’s Restaurant in NYC in 1917, a time when Fuller also featured George Hamilton Green in his ensemble.

The name Castle Valse refers to the dance team Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. They appeared with Earl Fuller’s Rector Novelty Orchestra at Rector’s Restaurant in NYC in 1917, a time when Fuller also featured George Hamilton Green in his ensemble.

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Castle Valse Classique, Xylo & Mar. Quartet (A. Dvorak/arr. Yurika Kimura)

$24.00
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The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.

The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.

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Cattelin

$10.00
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A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.

A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.

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Centipede

$8.00
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Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.

Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.

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Cerulean Landscape

$14.00 – $17.00
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Cerulean Landscape was written for solo marimba (5.0) in 2013 for Japanese marimbist Kana Omori. It is a moderately difficult work of 5’40” in length, in a freely composed style and form, progressing through various beautiful and lyrical landscapes. This is an excellent work to showcase the versatility and expressiveness of your musicality, and is highly recommend for a college level recital.

Cerulean Landscape was written for solo marimba (5.0) in 2013 for Japanese marimbist Kana Omori. It is a moderately difficult work of 5’40” in length, in a freely composed style and form, progressing through various beautiful and lyrical landscapes. This is an excellent work to showcase the versatility and expressiveness of your musicality, and is highly recommend for a college level recital.

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