Avinu Malkeinu (Traditional/arr. Neil Grover)
$23.00An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.
An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.
-
Showing 21–40 of 305 results
-
Filters
-
Showing 21–40 of 305 results
-
Filters
Azura
$12.00A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.
A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.
Advanced
Azure
$21.00 – $24.00A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
Bach on Marimba: Complete Collection (Bach/arr. Leigh Howard Stevens)
$45.00All of the sheet music for Leigh Howard Stevens’ critically acclaimed album Bach on Marimba.
All of the sheet music for Leigh Howard Stevens’ critically acclaimed album Bach on Marimba.
Balaphuge
$10.00Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Baroque Suite
$12.00This seven-movement suite for solo marimba contains a Prelude, Allemande, Courante, Sarabande, two Bourrees, and a Gigue.
This seven-movement suite for solo marimba contains a Prelude, Allemande, Courante, Sarabande, two Bourrees, and a Gigue.
Advanced
Beads of Glass
$14.00 – $17.00Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.
Black Sphinx
$12.00The 1st-place winner in the 1998 PAS composition contest for solo marimba.
The 1st-place winner in the 1998 PAS composition contest for solo marimba.
Bluegrass Girl
$8.00Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.
Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.
Blues Miniature
$8.00This 12-bar blues in C takes advantage of the mysteriously hip, subtle and “backstreet” quality of the marimba’s low range.
This 12-bar blues in C takes advantage of the mysteriously hip, subtle and “backstreet” quality of the marimba’s low range.
Advanced
Caméléon
$14.00 – $17.00Caméléon is a longer, more ambitious work, with more serious harmonic and melodic content, but it still has Eric’s hints of jazz overtones.
Caméléon is a longer, more ambitious work, with more serious harmonic and melodic content, but it still has Eric’s hints of jazz overtones.
Canarios (Sanz/arr. Rick Willis)
$5.00A delightfully familiar work from the Renaissance Era. Willis’ transcription makes the adaptation to marimba effortless. Can be played on a 4.3 instrument.
A delightfully familiar work from the Renaissance Era. Willis’ transcription makes the adaptation to marimba effortless. Can be played on a 4.3 instrument.
Advanced
Caritas
$15.00 – $18.00Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.
Caritas is a three-movement piece that employs a traditional harmonic language throughout. It is a real crowd-pleaser for the educated as well as the uneducated audience.
Advanced
Carmen Fantasy (Bizet/arr. Eric Sammut)
$17.00 – $20.00Eric Sammut has arranged three charming movement’s from Bizet’s famous opera. Each movement has its own character but with a hint of Sammut’s well known style.
Eric Sammut has arranged three charming movement’s from Bizet’s famous opera. Each movement has its own character but with a hint of Sammut’s well known style.
Castle Valse Classique (A. Dvorak/arr. Kimura)
$22.00The name Castle Valse refers to the dance team Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. They appeared with Earl Fuller’s Rector Novelty Orchestra at Rector’s Restaurant in NYC in 1917, a time when Fuller also featured George Hamilton Green in his ensemble.
The name Castle Valse refers to the dance team Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. They appeared with Earl Fuller’s Rector Novelty Orchestra at Rector’s Restaurant in NYC in 1917, a time when Fuller also featured George Hamilton Green in his ensemble.
Castle Valse Classique, Xylo & Mar. Quartet (A. Dvorak/arr. Yurika Kimura)
$24.00The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.
The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.
Cattelin
$10.00A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.
A blues for solo marimba. Berg got the idea for this piece from the novels of Stieg Trenter, a Swedish journalist and crime novelist. Short and clever, this piece is a perfect addition to any recital program.