Showing 41–60 of 66 results
Showing 41–60 of 66 results
Arranged for 5.0 marimba by Naoko Takada.
Arranged for 5.0 marimba by Naoko Takada.
A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.
A classic addition to any marimbist’s repertoire. The prelude is a virtuosic showpiece, and the three-voiced fugue highlights the separation of each voice by using different mallet types.
J.S. Bach’s Prelude in C (from “The Well-Tempered Clavichord”), arranged for marimba by Naoko Takada.
J.S. Bach’s Prelude in C (from “The Well-Tempered Clavichord”), arranged for marimba by Naoko Takada.
It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura
It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
For marimba quartet on two instruments
For marimba quartet on two instruments
Composed by Handel, arranged for marimba by Naoko Takada
Composed by Handel, arranged for marimba by Naoko Takada
Composed by J.S. Bach, transcribed for marimba by Naoko Takada
Composed by J.S. Bach, transcribed for marimba by Naoko Takada
Composed by Carl Philipp Emanuel Bach, transcribed for marimba by Naoko Takada
Composed by Carl Philipp Emanuel Bach, transcribed for marimba by Naoko Takada
This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.
This is the sonata that contains the famous G minor fugue, popularized by many concert guitarists. Complete with Stevens’ stickings and suggested ornamentation in a beautiful 20 page edition.
Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.
Transposing this four movement work to the rich lower register of the marimba creates a significant difference in the overall sound and enhances the ease of playing legato.
Adapted to marimba from a keyboard transcription of J.S. Bach’s Sonata in A Minor BWV 1003 for violin, Bartlett’s minor adjustments make this an easily accessible addition to the repertoire. A 5.0 octave instrument is required.
Adapted to marimba from a keyboard transcription of J.S. Bach’s Sonata in A Minor BWV 1003 for violin, Bartlett’s minor adjustments make this an easily accessible addition to the repertoire. A 5.0 octave instrument is required.
A beautiful transcription of the ever popular second movement of Beethoven’s piano sonata. Complete with varied roll notation and stickings, Legendre’s work makes this piece easily accessible to the accomplished four-mallet marimbist. A 5.0 octave instrument and versatile technique are required.
A beautiful transcription of the ever popular second movement of Beethoven’s piano sonata. Complete with varied roll notation and stickings, Legendre’s work makes this piece easily accessible to the accomplished four-mallet marimbist. A 5.0 octave instrument and versatile technique are required.
Arranged for marimba quartet
Arranged for marimba quartet
An amalgamation of Bach’s solo string suites for cello and lute, arranged for marimba.
An amalgamation of Bach’s solo string suites for cello and lute, arranged for marimba.
“Others will have difficulty matching the quality of this keyboard duo arrangement of a George Gershwin hit. Bob Becker’s xylophone interpretation maintains the integrity of the original melody, yet masterfully includes material that will allow the performer to demonstrate glimpses of virtuosity.”-Percussive Notes
“Others will have difficulty matching the quality of this keyboard duo arrangement of a George Gershwin hit. Bob Becker’s xylophone interpretation maintains the integrity of the original melody, yet masterfully includes material that will allow the performer to demonstrate glimpses of virtuosity.”-Percussive Notes
This arrangement, by Yurika Kimura, is based on the musical structure of the Green Brothers’ recording, with reference to the original sheet music. The xylophone part incorporates variations composed by Bob Becker.
This arrangement, by Yurika Kimura, is based on the musical structure of the Green Brothers’ recording, with reference to the original sheet music. The xylophone part incorporates variations composed by Bob Becker.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
One of the most beautiful and romantic of Chopin’s piano solos. Sammut has adapted this beautiful work for 5.0 octave marimba and it makes an exciting program addition or encore for any recital.
Transcribed for solo marimba.
Transcribed for solo marimba.
