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$57.00 – $66.00A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
Showing 1–20 of 54 results
Showing 1–20 of 54 results
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
A virtuoso duet for marimba and drum set.
A virtuoso duet for marimba and drum set.
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!
A difficult marimba duet by Gordon Stout.
A difficult marimba duet by Gordon Stout.
Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.
Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.
Xylophone solo with marimba ensemble accompaniment, includes CD.”Any ragtime specialist will want to learn Bob’s first crack at composing in the style that has made him so famous. I bet we see more out of him along this line – or at least I hope so.”-Percussive Notes
Xylophone solo with marimba ensemble accompaniment, includes CD.”Any ragtime specialist will want to learn Bob’s first crack at composing in the style that has made him so famous. I bet we see more out of him along this line – or at least I hope so.”-Percussive Notes
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
(1994) Soprano solo and three players – marimba, vibraphone, and piano. Instrumental parts are moderately difficult. Soprano part is challenging and requires a high B-flat. 9 minutes
Dex moves through a myriad of textures, colors, and metric modulations to create a sort of “drumming fanfare” that is both fun to play and experience as a listener.
Dex moves through a myriad of textures, colors, and metric modulations to create a sort of “drumming fanfare” that is both fun to play and experience as a listener.
This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.
This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.