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Acquiescent Blues

$34.00 – $40.00
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My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.

My very first composition employing vibes in a solo context. This duo is for EASTHAMA, the mallet duo consisting of Lindsey Eastham and Hiromu Nagahama, who were winners of the Duo Category at the last Southern California International Marimba Compeition in 2013.

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Al Fresco (Xylo + Pno) (Herbert/arr. Jonathan Singer)

$14.00 – $17.00
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Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.

Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.

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Alabama Moon (by G.H. Green/arr. Becker/Kimura)

$21.00 – $24.00
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Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

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Ameline Duo (Cl + Mar) – Cover – 020723
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Ameline (Marimba/Clarinet Duo)

$21.00 – $24.00
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Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.

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Ameline (Marimba/Vibraphone Duo)

$30.00 – $35.00
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Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

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amelineduocover-marimba and violin
amelineduo-violinmarimba
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Ameline (Marimba/Violin Duo)

$30.00 – $35.00
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Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.

Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.

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Blue Ridge

$36.00 – $42.00
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This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!

This duo brings together the styles of folk music, jazz and pop, with a tip of the hat to Phillip Glass in the coda.
Can they all work together? You decide!

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Chorale Variations

$30.00 – $35.00
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Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.

Chorale Variations is scored for two marimbas and consists of five short movements. Chorale Variations was commissioned by Escape X in 2013.

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Clear Midnight

$47.00 – $54.00
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Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.

Titled after the Walt Whitman poem, Burritt wrote Clear Midnight for the Escape X Percussion Duo to showcase their dynamic virtuosity.

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Concerto for Marimba & Orch. Piano Reduction

$38.00 – $44.00
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Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

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Concerto for Marimba and String Orch.—Piano Red.

$48.00 – $55.00
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Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

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Cottontail Capers (Xylo Solo w/piano accomp)

$21.00 – $24.00
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Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes

Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes

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CAHN-CCA-COVER
CAHN-CCA-EXCERPT
Duets
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Crazy Crazy Army

$11.00 – $13.00
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Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.

Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.

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Diptych No. 4

$19.00 – $22.00
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Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

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