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Al Fresco (Xylo + Pno) (Herbert/arr. Jonathan Singer)

$14.00$17.00

Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.

Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.

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Concerto for Marimba & Orch. Piano Reduction

$38.00$44.00

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.

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Concerto for Marimba and String Orch.—Piano Red.

$48.00$55.00

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.

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Cottontail Capers (Xylo Solo w/piano accomp)

$21.00$24.00

Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes

Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes

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Diptych No. 4

$19.00$22.00

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.

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Eisenhower’s Rondo

$24.00$28.00

In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.

In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.

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Etude Op. 6 No. 2, Ab Major

$12.00$13.00

A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.

A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.

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Ida/Some Of These Days Medley (Xylo + Pno) (Munson, Leonard, Brooks/arr. Jonathan Singer)

$14.00$17.00

The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes and arranges a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra. NOW AVAILABLE FOR SOLO XYLOPHONE WITH PIANO ACCOMPANIMENT.

The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes and arranges a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra. NOW AVAILABLE FOR SOLO XYLOPHONE WITH PIANO ACCOMPANIMENT.

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Lahara

$33.00$39.00

Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.

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Marcello

$21.00$24.00

A Sammut original! Performed by Jasmin Kolberg on her CD, Mosaique, this rhythmic, dancing piece is sure to be an audience pleaser.

A Sammut original! Performed by Jasmin Kolberg on her CD, Mosaique, this rhythmic, dancing piece is sure to be an audience pleaser.

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Mirages

$46.00$53.00

Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.

Mirages is an original piece with four movements written for vibraphone, marimba, double bass, drums and clarinet/bass clarinet. The composition expresses four different musical moods and personalities.

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Never in Word

$33.00$39.00

(1998) Soprano solo and 4 players – marimba, vibraphone, 3va glockenspiel/crotales and piano. All parts are challenging. Soprano requires high B-flat. 10 minutes.

(1998) Soprano solo and 4 players – marimba, vibraphone, 3va glockenspiel/crotales and piano. All parts are challenging. Soprano requires high B-flat. 10 minutes.

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Night Ride (arr. for Band)

$230.00$275.00

The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full band.

The original percussion ensemble version of Night Ride was completed in August 2005 and was dedicated to Kazunori Meguro and the students at Showa Academy of the Arts in Atsugi, Japan, now arranged for full band.

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Old Man Jazz (Gene Quaw/arr. Yurika Kimura)

$21.00$24.00

Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

Old Man Jazz was composed (both music and lyrics) by Gene Quaw, and published in 1920 by Jos. W. Stern & Co. The original sheet music has the subtitle “An Eccentric Fox Trot Song.” The All Star Trio (George Hamilton Green, xylophone, F. Wheeler Wadsworth, tenor saxophone, and Victor Arden, piano) recorded a very clever version of the piece for Victor Records (#18699) in 1920. This transcription arrangement is based on the All Star Trio recording, with reference to the original sheet music.

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Prelude Op. 11 No. 3

$12.00$13.00

A four-mallet prelude containing all the athleticism for which Musser is known. Can be performed with or without the included piano accompaniment.

A four-mallet prelude containing all the athleticism for which Musser is known. Can be performed with or without the included piano accompaniment.

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Prisoners of the Image Factory

$24.00$28.00

For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.

For marimba (low f), vibraphone, and piano. Originally composed for a short film and intended as a miniature tone poem reflecting the ambiguities of adolescent relationships and the energy of an urban environment. This concert version is 5 minutes in length and the mallet parts are moderately difficult.

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