Showing 1–20 of 46 results
Showing 1–20 of 46 results
Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.
Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.
A timpani piece with a “difference!” The first two movements exploit traditional timpani techniques in a musical fashion, with the emphasis on sensitive ensemble playing with the pianist. In the third movement, ‘Fandango’, both pianist and timpanist add sections of hand clapping and flamenco-style heel stomping. A real crowd-pleaser!
A timpani piece with a “difference!” The first two movements exploit traditional timpani techniques in a musical fashion, with the emphasis on sensitive ensemble playing with the pianist. In the third movement, ‘Fandango’, both pianist and timpanist add sections of hand clapping and flamenco-style heel stomping. A real crowd-pleaser!
This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).
This concerto is destined to become one of the most important and often-performed works in the solo timpani literature. Although it was composed and premiered by the National Symphony Orchestra in the 1960s, it has been unpublished and unavailable until it was “rescued” by Leigh Howard Stevens (at the composer’s request).
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
For 1 multi-percussion player and orchestra. Piano reduction version. (orchestral version available for rental) Instrumentation includes: vibraphone, 3 small roto-toms, 5 tom-toms, 2 contrasting low-high steel pipes, kick drum and a large suspended cymbal.
For 1 multi-percussion player and orchestra. Piano reduction version. (orchestral version available for rental) Instrumentation includes: vibraphone, 3 small roto-toms, 5 tom-toms, 2 contrasting low-high steel pipes, kick drum and a large suspended cymbal.
Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes
Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
Solo piece for marimba with multiple percussion
Solo piece for marimba with multiple percussion
Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.
Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.
In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.
In this work from the 1970’s, Stout celebrates the spirit of the Balkan people. Infectious rhythms and advanced techniques make this work a joy to perform and to listen to.
A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.
A flourish of broken and arpeggiated chords moving up and down the instrument form the basis of this flamboyant etude by Clair Omar Musser. Short and sweet, it makes a terrific audition piece or recital encore. Can be performed with or without the included piano accompaniment.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
For solo marimba with piano accompaniment.
For solo marimba with piano accompaniment.
Hermes is a virtuostic showpiece for the advanced timpanist. It is one of the few large-scale works that feature the timpanist. Each of the four movements depict an aspect of the ancient Greek god Hermes. Also available as piano reduction.
Hermes is a virtuostic showpiece for the advanced timpanist. It is one of the few large-scale works that feature the timpanist. Each of the four movements depict an aspect of the ancient Greek god Hermes. Also available as piano reduction.
The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes and arranges a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra. NOW AVAILABLE FOR SOLO XYLOPHONE WITH PIANO ACCOMPANIMENT.
The inaugural work of “The Jonathan Singer Historical Xylophone Publication Series”, Singer transcribes and arranges a 1920’s recording of Billy Gladstone playing this medley with the Capitol Theatre Orchestra. NOW AVAILABLE FOR SOLO XYLOPHONE WITH PIANO ACCOMPANIMENT.
Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.
Drum solo with accompaniment by drone and melody instruments (marimba and vibraphone). Drum part is strictly rudimental throughout, but based on forms and structure of North Indian tabla drumming. A very difficult recital piece (if played at tempo) which may be edited to last from 10 to 30 minutes.
2nd Place Winner – 2008 PAS Composition Contest
2nd Place Winner – 2008 PAS Composition Contest