180
$60.00 – $66.00A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
Showing 1–20 of 236 results
Showing 1–20 of 236 results
A marimba quartet that creates the illusion of a single instrument.
A marimba quartet that creates the illusion of a single instrument.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
The sequel to his Intermediate Contest Solos collection, Blake has provided interesting material for the intermediate to advanced high school student or early college-level snare drummer.
The sequel to his Intermediate Contest Solos collection, Blake has provided interesting material for the intermediate to advanced high school student or early college-level snare drummer.
Afternoon Footprints was written for solo marimba (5.0) in 2014. One of Stout’s most recent compositions for solo marimba, it is approximately 7’40” in length. It was composed with the thought of watching someone walk around the streets of Paris, going through different neighborhoods and viewing some of the many and varied sites that make up the beautiful city of Paris. Highly suitable for the advanced marimba recital, this work will be appreciated by non marimbists, the general public, as well as marimbists who want a work that concentrates on musical virtuosity.
Afternoon Footprints was written for solo marimba (5.0) in 2014. One of Stout’s most recent compositions for solo marimba, it is approximately 7’40” in length. It was composed with the thought of watching someone walk around the streets of Paris, going through different neighborhoods and viewing some of the many and varied sites that make up the beautiful city of Paris. Highly suitable for the advanced marimba recital, this work will be appreciated by non marimbists, the general public, as well as marimbists who want a work that concentrates on musical virtuosity.
Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.
Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.
Trio for glock, chimes, and vibraphone
Trio for glock, chimes, and vibraphone
Altered Echoes is a four-movement work playable on a 4.6 range (low “E”) marimba. The titles of the movements are quite telling: Tropes of Wood, Darkened Spaces, Readings of Change and Particles of Light. It is idiomatic, serious and challenging for the advanced player.
Altered Echoes is a four-movement work playable on a 4.6 range (low “E”) marimba. The titles of the movements are quite telling: Tropes of Wood, Darkened Spaces, Readings of Change and Particles of Light. It is idiomatic, serious and challenging for the advanced player.
Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.
Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.
Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
A quiet yet powerfully dramatic work scored for two marimbas, two vibraphone, cymbals, glass and stone wind chimes, a single crotale, wood and temple blocks, glockenspiel, tam-tam, sleigh bells, and maracas. Requires four musically sensitive players.
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
A more discursive, lyrical and introspective Burritt style is developed in this piece. As is always the case with the music of Michael Burritt, the marimba writing is first-rate, idiomatic, fun to play and makes the marimba sound great.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Dedicated to Paul Smadbeck. A perfect piece for those players wishing to show-off their single-alternating endurance and phrasing abilities. Can be performed on a 4.6 octave marimba.
Baroque in Swing is another of the popular “Seven Songs for Vibraphone” performed and recorded by John Mark Piper. With its bouncy intro and rapid patters of rapid 16ths, this piece is a challenge and an opportunity for serious vibraphonists to display their skills.
Baroque in Swing is another of the popular “Seven Songs for Vibraphone” performed and recorded by John Mark Piper. With its bouncy intro and rapid patters of rapid 16ths, this piece is a challenge and an opportunity for serious vibraphonists to display their skills.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.
Stout’s composition for solo marimba is a beautiful tapestry of tonal sounds for five-octave marimba. Its level of difficulty is comparable to Stout’s Astral Dance.