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Adventures of Ivan (Khachaturian/arr. Leigh Howard Stevens)

$14.00$17.00

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.

Alabama Moon (by G.H. Green/arr. Becker/Kimura)

$21.00$24.00

Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes

Album for the Young (Tchaikovsky/arr. Leigh Howard Stevens)

$17.00$20.00

(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.

Album for the Young I (Schumann/arr. Leigh Howard Stevens)

$11.00$13.00

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Album for the Young II (Schumann/arr. Leigh Howard Stevens)

$11.00$13.00

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.

An Indian Story (G.H. Green/arr. Bob Becker)

$19.00$22.00

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

An Indian Story Xylo Solo (G.H. Green/arr. Bob Becker)

$5.00$6.00

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.

Asturias (Albeniz/arr. Leigh Howard Stevens)

$11.00$13.00

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.

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