Showing 1–20 of 63 results
Showing 1–20 of 63 results
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
Featured in the hit video game, ‘Cuphead: The Delicious Last Course,’ this fun xylo rag was inspired by the works of George Hamilton and Joe Green. Written for marimba quartet and xylo solo, with optional string quartet and vocal trio.
Featured in the hit video game, ‘Cuphead: The Delicious Last Course,’ this fun xylo rag was inspired by the works of George Hamilton and Joe Green. Written for marimba quartet and xylo solo, with optional string quartet and vocal trio.
Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.
Singer transcribes this intermezzo as performed and arranged by Sammy Herman and Frank Banta.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Written in 1982, the seven-player ensemble consists of 4 marimbas (one doubling rattle), double bell, high African drum (may substitute bongo) and low African drum (may substitute conga). Based on Ghanaian melodies.
Bombala is an original work that was created to feature the performance of the children in the ROCdrummers alongside of the professional musicians of the Rochester Philharmonic Orchestras, among the finest in the world.
Bombala is an original work that was created to feature the performance of the children in the ROCdrummers alongside of the professional musicians of the Rochester Philharmonic Orchestras, among the finest in the world.
“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.
“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
Winner of what may have been the earliest marimba composition contest ever held, the Sarmientos was premiered by Vida Chenoweth in 1957. A three-movement work of great vitality with Guatemalan-influenced rhythms and melodies, it is performable by any good collegiate marimbist.
This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.
This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
Juilliard composition and theory faculty member Eric Ewazen has written what many consider to be “The Great American Marimba Concerto”. Only time will tell if these appraisals are correct, but everyone who hears it agrees that it is a work of great beauty and excitement.
First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
First prize winner in the 2000 P.A.S. Composition Contest! Glassock’s new work is bound to become a favorite for concerto competitions and recitals. The composer’s deep familiarity with keyboard mallet percussion, as well as his considerable compositional skills, make this piece a rich and rewarding experience for both performer and audience.
Cordes et lames (“Strings and Bars”) for marimba and string quintet. Featured on Eric Sammut’s CD “Mirages”.
Cordes et lames (“Strings and Bars”) for marimba and string quintet. Featured on Eric Sammut’s CD “Mirages”.
Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes
Xylophone solo with piano accompaniment, includes CD.”‘Cottontail Capers’ is a delightful ragtime solo … It isn’t necessarily a show-stopper but rather a great melody with some fun variations.”-Percussive Notes
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
Sammut’s blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut’s other works, it is only a matter of time before this becomes a favorite on college campuses.- Darin Olson, Percussive Notes
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
A delightful piece for a beginning to intermediate four-mallet player. The marimba creates a smooth texture of triplets and 8ths throughout a 4.3 range.
Solo piece for marimba with multiple percussion
Solo piece for marimba with multiple percussion
Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.
Diptych No. 4 is a duo for marimba and percussionist. Gordon Stout (percussion) and Leigh Howard Stevens (marimba) performed the world Premiere in 1986. As with all of Gordon’s Diptych works, the work is in a highly contrasting two-part form.
Stout’s third work for marimba orchestra, featuring two marimba soloists.
Stout’s third work for marimba orchestra, featuring two marimba soloists.