Where Sirens Dwell
$17.00 – $20.00Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Showing 257–269 of 269 results
Showing 257–269 of 269 results
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
Inspired by the sirens of Greek mythology and scored for trumpet and percussion with a prerecorded CD.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.
White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.
(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.
(for Solo Marimba soloist with Percussion Ensemble)
For solo marimba and percussion quartet. The marimba part can be played on either a 4.3 or 4.6 octave instrument. A perfect opportunity to feature an advanced high school or college player. Required for performance by contestants at Les JournZes de la Percussion 2003.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
The title reflects the composer’s concept of the marimba as the “wood that sings”. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
Wright’s Lessons was composed between June and December 1995 for the NEXUS percussion group and the Toronto Children’s Chorus, featuring text directly from a reader for children written by Albert D. Wright entitled, “Wright’s Primary Lessons“.
This fun arrangement of George Hamilton Green’s Xylophonia for concert band demonstrates the dance music that was popular from the turn of the century until the 1930s.
This fun arrangement of George Hamilton Green’s Xylophonia for concert band demonstrates the dance music that was popular from the turn of the century until the 1930s.
This fun arrangement of George Hamilton Green’s Xylophonia for orchestra demonstrates the dance music that was popular from the turn of the century until the 1930s.
This fun arrangement of George Hamilton Green’s Xylophonia for orchestra demonstrates the dance music that was popular from the turn of the century until the 1930s.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
For marimba, clarinet, and string bass – a surprisingly fresh sound combination. This rhythmically and harmonically exciting work provides a fun challenge to all involved.
For marimba, clarinet, and string bass – a surprisingly fresh sound combination. This rhythmically and harmonically exciting work provides a fun challenge to all involved.