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Showing 41–45 of 45 results
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Showing 41–45 of 45 results
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Showing 41–45 of 45 results
Showing 41–45 of 45 results
One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes
One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes
Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting “Water Marks” is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.
Written on a flight while traveling to Asia, Miceli wanted to compose a difficult yet lyrical piece for solo vibraphone. The resulting “Water Marks” is so named because it is reminiscent of drops of rain splashing as they fall into a puddle.
This is an exciting composition for vibraphone- one that would make an excellent choice for a senior recital. The piece may be played in its entirety, but the composer also gives recommended combinations of movements to be played if the performer chooses.
This is an exciting composition for vibraphone- one that would make an excellent choice for a senior recital. The piece may be played in its entirety, but the composer also gives recommended combinations of movements to be played if the performer chooses.
More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.
More reflective in character than ‘Baroque in Swing’, ‘Dreams’ asks the vibraphonist to shape flowing melodic lines through subtle dynamic variations. Dampening skills are essential! As with all the “Seven Songs,” the vibraphonist is also given the opportunity to improvise. May be performed as a solo or with rhythm section.