This is the second in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)
$30.00
Choro N. 2 (Astral Choro)
This is the second in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Gordon Stout (b.1952) is currently Professor of Percussion at the School of Music, Ithaca College, Ithaca, N.Y., where he has taught percussion since 1980.
Whatever’s More
$10.00This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
Two Mexican Dances
$15.00Gordon Stout’s Two Mexican Dances are a standard in the percussion community. This work has been recorded and performed in recital many time over. Each of the movements may be played in conjunction or independently of each other.
Gordon Stout’s Two Mexican Dances are a standard in the percussion community. This work has been recorded and performed in recital many time over. Each of the movements may be played in conjunction or independently of each other.
| Difficulty | Advanced |
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