$40.00
This is the seventh in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
This is the seventh in a series of seven compositions titled Choro. Gordon Stout tried to incorporate certain stylistic aspects of the Choro from Brazil and Argentina in these compositions, as well as explore different instrumental combination with the marimba.
Instrumentation: marimba 5.0, soprano saxophone, violin, classical guitar, acoustic bass and percussion (small hand drum)
| Difficulty | Advanced |
|---|
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
It is with the virtuosic percussionist in mind that Contemporary Collection for Snare Drum was composed.
It is with the virtuosic percussionist in mind that Contemporary Collection for Snare Drum was composed.
