The subject matter of Haiku poetry often reflects the casual coexistence of seemingly unrelated phenomena. The castanet rhythms of Southern Spain and the metric structure of this originally Japanese form of poetry are combined in Andalusian Haiku. The 17 syllable three-line structure that is characteristic of haiku is often stated in successive lines of five, seven, and five, seven, and five syllables each. This is expressed in this piece as three successive measures of beats. The beginning of each measure is accented.
$15.00
Andalusian Haiku
The castanet rhythms of Southern Spain and the metric structure of this originally Japanese form of poetry are combined in Andalusian Haiku.
Daniel Adams (b. 1956, Miami, FL( is a Professor of Music at Texas SouthernUniversity.
Concerto for Marimba and Percussion Ensemble
$69.00This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.
This concerto is based on thematic materials in both the solo and ensemble part that are transformed through polyrhythmic textures, changing meters, shifting rhythmic subdivisions and imitative counterpoint.
Resonant Canvass
$12.00This multi-percussion solo is filled with wonderful sounds and textures. The title refers to the interplay between sounds emanating from instruments with long reverberation times and those which produce sounds of shorter duration.- Joshua D. Smith, Percussive Notes
This multi-percussion solo is filled with wonderful sounds and textures. The title refers to the interplay between sounds emanating from instruments with long reverberation times and those which produce sounds of shorter duration.- Joshua D. Smith, Percussive Notes
Concerto for Timpani, Percussion and Winds
$120.00Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.
Concerto for Timpani, Percussion and Winds was commissioned and composed in 2004 for Robert McCormick and the University of South Florida Percussion Symphonic Wind Ensemble. In this concerto, the solo timpanist, winds and percussion section interact equally in the transformation and development of thematic materials.
Camaraderie
$48.00“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.
“… Camaraderie is a musical and exciting addition to the repertoire for solo timpani with percussion accompaniment.” – John Baldwin, Percussive Notes The term “camaraderie” is defined as good will and light-hearted rapport between friends. The title is symbolic of the musical rapport between the soloist and the ensemble.
Road Traversed and Reversed
$25.00For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.
For two marimbas, marimba one: 4 1/3 octaves, marimba two 5 octavesThe title is based on the concept that new experience and events always replicate patterns rooted in an unconscious past. The over-lapping rolls in the opening section develop into the thematic interplay that traverses the entire range of the two marimbas.
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