A Very Welcome
$10.00A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
A Very Welcome is a work written in honor of my wife to celebrate the birth of our son in 2008.
With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).
With the title “welcome white-man,” this piece is reminiscent of a trip to Ghana. The piece is based in 7/8 time to give a feeling of unfamiliarity while the tonality and composition techniques emulate a traditional Gyli player (Degara region xylophone).
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.
This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.
An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.
A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.
A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.
This seven-movement suite for solo marimba contains a Prelude, Allemande, Courante, Sarabande, two Bourrees, and a Gigue.
This seven-movement suite for solo marimba contains a Prelude, Allemande, Courante, Sarabande, two Bourrees, and a Gigue.
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Want to make friends with a brass player? Already have a tuba-toting acquaintance? This work by William Penn can also be performed by bass trombone, so you can widen your circle of friends.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
Although the marimba’s tone is colorful and evocative, there has been a long standing lack of serious transcriptions of impressionistic music. This faithful transcription will fill that niche and surely become a standard repertoire item.
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This work for 4.3 marimba is a medium-easy to medium-difficult, tonal, 4-mallet solo in which technical difficulties like fast interval changes are avoided.
This work for 4.3 marimba is a medium-easy to medium-difficult, tonal, 4-mallet solo in which technical difficulties like fast interval changes are avoided.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.
Echoes No. 1 for solo marimba and delay. This piece requires some form of delay mechanism, which produces the “echoing” effect from the marimba throughout the work. Performers are encouraged to explore the many possibilities of this work.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
Six of the most idiomatic etudes from this famous collection. The pieces can be performed in concert, vary from simple to difficult and can be programmed in groups of two to six.
This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug
This collection is for the four mallet marimbist who is in the beginning or advanced-beginning phases of technical and musical development. More advanced players may also find these enjoyable to play.
– Thom Hasenpflug
76 measures of non-stop fun. This short duo for vibraphone and marimba is a perfect way to feature two students on a percussion ensemble concert. The marimba part can be played on a 4.6 octave instrument.
76 measures of non-stop fun. This short duo for vibraphone and marimba is a perfect way to feature two students on a percussion ensemble concert. The marimba part can be played on a 4.6 octave instrument.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
A companion to Four-Mallet Method for Marimba; 45 solos that focus on double vertical strokes, single alternating strokes, rolls, and single independent strokes.
Abe’s first marimba solo; a classic in solo marimba repertoire
Abe’s first marimba solo; a classic in solo marimba repertoire