| Difficulty | Advanced |
|---|---|
| Performance Type | Solo |
Christopher Swist composes in a wide variety of genres that explore both the traditional and the experimental. His instrumentation pallet encompasses a great deal of marimba literature as well as chamber music, orchestral music and electronic music.
Percussion Quartet #2
$38.00Quartet for four percussionists.Aside from the 5.0-octave marimba, this piece uses instruments that would be found in most music departments, making it ideal for a smaller studio of advanced percussion stduents or a newly formed professional chamber ensemble.- Jason Baker, Percussive Notes
Quartet for four percussionists.Aside from the 5.0-octave marimba, this piece uses instruments that would be found in most music departments, making it ideal for a smaller studio of advanced percussion stduents or a newly formed professional chamber ensemble.- Jason Baker, Percussive Notes
Centipede
$8.00Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.
Centipede was the first substantial work written by Christopher Swist. In Centipede, Swist explores the key of F# minor in a quasi-improvistory style, inviting the more confident player to feel free to expand upon the written ideas.
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Vertical River
$30.00 – $35.00Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day.
The Two Woodpeckers Polka
$12.00For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
Four-Mallet Progressive Literature
$24.00 – $28.00Four-Mallet Progressive Literature is designed to be a companion to Four-Mallet Method for Marimba. The music selected for this text represents guitar and keyboard literature of major composers from the 16th through 19th centuries.
Four-Mallet Progressive Literature is designed to be a companion to Four-Mallet Method for Marimba. The music selected for this text represents guitar and keyboard literature of major composers from the 16th through 19th centuries.
Contemporary Audition Solos for Percussion
$14.00An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
An excellent collection of keyboard, timpani, snare drum and multi-perc solos suitable for college auditions.
Wrist Twisters
$32.00After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
Skylark Orange Circles
$33.00 – $39.00Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Kaleiduoscope
$29.00 – $33.00Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.