“Crossover”
Simultaneous crisp attack with full round tone, wide spectrum of dynamics. Matched set of 4 mallets.
$92.00
“Crossover”
(Set of 4)
“Crossover”
Simultaneous crisp attack with full round tone, wide spectrum of dynamics. Matched set of 4 mallets.
Shaft Type | Rattan |
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The three unwound 1-1/4″ diameter xylophone mallet heads are also identically weighted, so for the first time, you have “soft,” medium and hard xylophone heads that are identical in weight and feel!
The three unwound 1-1/4″ diameter xylophone mallet heads are also identically weighted, so for the first time, you have “soft,” medium and hard xylophone heads that are identical in weight and feel!
Our eMotion mallets have a much more complex construction – and therefore a much richer tone and varied response to your touch.
Our eMotion mallets have a much more complex construction – and therefore a much richer tone and varied response to your touch.
“Light Roller”: This model works perfectly for loud rolls on higher pitched notes. The complex multi-layered felt provides many different colors, depending on the dynamic level and tension of the head.
“Light Roller”: This model works perfectly for loud rolls on higher pitched notes. The complex multi-layered felt provides many different colors, depending on the dynamic level and tension of the head.
The famed (but rare) vibes mallets originally handmade by Fred Albright, now updated by vibes phenom Stefon Harris and made available to the public by Malletech.
The famed (but rare) vibes mallets originally handmade by Fred Albright, now updated by vibes phenom Stefon Harris and made available to the public by Malletech.
“Heavy Roller”: Especially useful for low notes like one would encounter in Bruckner Symphonies, this perfectly balanced mallet produces the biggest and fullest sound a player would ever need in an orchestra.
“Heavy Roller”: Especially useful for low notes like one would encounter in Bruckner Symphonies, this perfectly balanced mallet produces the biggest and fullest sound a player would ever need in an orchestra.
Our eMotion mallets have a much more complex construction – and therefore a much richer tone and varied response to your touch.
Our eMotion mallets have a much more complex construction – and therefore a much richer tone and varied response to your touch.
The bass drum handle design has the right amount of flare in just the right spot for a comfortable, controlled grip.
The bass drum handle design has the right amount of flare in just the right spot for a comfortable, controlled grip.
The bass drum handle design has the right amount of flare in just the right spot for a comfortable, controlled grip.
The bass drum handle design has the right amount of flare in just the right spot for a comfortable, controlled grip.
Let the “e” stand for expression, let it stand ofr excellence or excitement … once they’re in your hands, you’ll know they are all of that and more.
Let the “e” stand for expression, let it stand ofr excellence or excitement … once they’re in your hands, you’ll know they are all of that and more.
Our eMotion mallets have a much more complex construction – and therefore a much richer tone and varied response to your touch.
Our eMotion mallets have a much more complex construction – and therefore a much richer tone and varied response to your touch.
Proprietary blended “metallic” yarn, a unique look but in the pocket for general use. (Set of 4)
Proprietary blended “metallic” yarn, a unique look but in the pocket for general use. (Set of 4)
I use this mallet for every pp to mf roll I encounter. It is slightly lighter than the MR20B or MR24B, but has an even and soft felt feeling to it. However, it also has a clear sound that works perfectly to underline a pizzicato – for example on the 3rd movement of Mahler’s First Symphony.
I use this mallet for every pp to mf roll I encounter. It is slightly lighter than the MR20B or MR24B, but has an even and soft felt feeling to it. However, it also has a clear sound that works perfectly to underline a pizzicato – for example on the 3rd movement of Mahler’s First Symphony.