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$21.00 – $24.00

Poor Little Butterfly is a Fly Gal Now (Jerome & Spencer/arr. Yurika Kimura)

M. K. Jerome’s Poor Butterfly Is A Fly Gal Now was published by Waterson, Berlin & Snyder Co. in 1919, and recorded the same year by the All Star Trio (Victor 18641-B). The All Star Trio was one of the most popular recording groups for dance music in the United States between 1918 and 1922. The ensemble included Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone. This transcription arrangement bases the marimba part on the piano and saxophone performances, while keeping the xylophone part almost exactly as played by Green, with only a few minor changes to make the two parts consistent.

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Yurika Kimura

Meet Yurika Kimura

Yurika Kimura Yurika performs both as concert marimbist and xylophonist.

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Castle Valse Classique, Xylo & Mar. Quartet (A. Dvorak/arr. Yurika Kimura)

$24.00
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The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.

The name Castle Valse Classique refers to the dance team of Vernon and Irene Castle, who were exceedingly popular performers and teachers of all the ballroom dance styles in vogue in the United States during the 1910s and 20s. The Castles’ “hesitation waltz” treatment of Dvorak’s Humoresque became one of their signature numbers, and Green’s spectacular obbligato xylophone performance made the music persuasive enough to stand alone on records.

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Prelude in G Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$17.00 – $20.00
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It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

It is assumed that each numbered opus from Clair Omar Musser consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 11, Number 3, published in 1948, had some issues with the chords and expression markings. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. -Yurika Kimura

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Etude in Ab Major for Two Marimbas (C.O. Musser/arr. Yurika Kimura)

$18.00
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Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura

Clair Omar Musser wrote numerous etudes as many marimbists know. It is assumed that each numbered opus consisted of 20 pieces, but there is no surviving evidence of them now. The version of Opus 6, Number 2 published in 1948 had some issues with the chords, as well as with expression markings like accents, staccatos, dynamics, etc. I made some corrections and consistencies in this new edition, but I tried to keep Musser’s notation intact as much as possible. Examining several of the original manuscripts helped clarify his personal approach to notation. – Yurika Kimura

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Yellow Dog Blues (W.C. Handy/arr. Yurika Kimura)

$21.00 – $24.00
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“Green’s unique bluesy style is evident in this fun, challenging xylophone solo. The marimba accompaniment is equally challenging (if not more so) and requires a player who is comfortable with large leaps in the bass line while playing busy syncopated patterns in the right hand.”-Percussive Notes

“Green’s unique bluesy style is evident in this fun, challenging xylophone solo. The marimba accompaniment is equally challenging (if not more so) and requires a player who is comfortable with large leaps in the bass line while playing busy syncopated patterns in the right hand.”-Percussive Notes

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Watermelon whispers Cover
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Watermelon Whispers (G.H. Green/arr. Yurika Kimura)

$21.00 – $24.00
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Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.

Watermelon Whispers was composed in 1918 by George Hamilton Green, and was published the same year as a piano solo by the Ted Browne Music Company.This transcription arrangement is based on the piano sheet music, and on Green’s xylophone performance on the Edison cylinder.

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M. K. Jerome’s Poor Butterfly Is A Fly Gal Now was published by Waterson, Berlin & Snyder Co. in 1919, and recorded the same year by the All Star Trio (Victor 18641-B). Typical of recordings of new songs at the time, the performance included a second song, Slow And Easy, by Norman Spencer, also published in 1919 by Daniels & Wilson, Inc. The original publications are in the key of Bb major and Eb major respectively, however the All Star Trio played them in G major and C major.

The All Star Trio was one of the most popular recording groups for dance music in the United States between 1918 and 1922. The ensemble included Victor Arden on piano, F. Wheeler Wadsworth on tenor saxophone, and George Hamilton Green on xylophone. This transcription arrangement bases the marimba part on the piano and saxophone performances, while keeping the xylophone part almost exactly as played by Green, with only a few minor changes to make the two parts consistent.

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Advanced
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Arrangement/Transcription
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Print Copy, PDF Download, Print & PDF Versions

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(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.

(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.

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Twilight

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In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.

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