Brett Dietz
Brett William Dietz (Assistant Professor, Percussion). Dietz is a composer and percussion instructor at Louisiana State University. He received the Bachelor of Music in Percussion and the Master of Music in Composition/Theory from the Mary Pappert School of Music at Duquesne University. Dietz's principal composition teachers were David Stock and Jay Alan Yim.
He was a recipient of the 1994 Duquesne University Women's Advisory Board Music Scholarship, winner of the 1997 Duquesne University Euphonium and Tuba Society Composition Contest, Honorable Mention in the 1998 Harvey Gaul Composition Contest sponsored by the Pittsburgh New Music Ensemble, 3rd Place Winner of the 2002 Percussive Arts Society Composition Contest, and winner of the 2002 H. Robert Reynolds Composition Contest. In January 2001, Dietz received an award from the Pittsburgh Foundation for Outstanding Achievement in the Arts. His composition five-0 for brass quintet received an award from WFMT (Chicago Classical Radio) and was premiered live on the air as part of the station's 50th anniversary.
Dietz's music has been performed throughout the United States, Europe, Sweden, Korea, and Australia by numerous ensembles including the Pittsburgh New Music Ensemble, River City Brass Band, Duquesne University Wind Symphony, Duquesne University Contemporary Ensemble, the University of Scranton Choir and Wind Symphony, the Northwestern University, and the University of Kentucky Percussion Ensemble. His compositions have been featured at the 1998 College Band Directors National Association Eastern Division Conference, the 1998 Music Educators National Conference Convention, the 1998 Pennsylvania Music Educators Association Convention and the 2001 and 2002 Percussive Arts Society International Convention. Commissions include Stabat Mater, premiered by the University of Scranton Concert Choir under Dietz's baton as part of the World Premiere Composition Series, and The Seventh Chakra, premiered by the composer (as percussion soloist) with the River City Brass Band for the Critical Acclaim concert series. Recently, Dietz's composition, Pandora's Box received its New York Premiere at Carnegie Music Hall by the National Wind Ensemble conducted by H. Robert Reynolds.
Dietz has served on the music faculties of Duquesne University, Westminster College (New Wilimington, PA), and the Merit School of Music in Chicago. He is also a founding member of Tempus Fugit Percussion Ensemble and has performed with the group throughout the United States and Europe since 1993.
From Brett Dietz
Apranibita
$15.00“Although there are ample technical challenges, the accomplished vibraphonist will find that giving a cohesive rendering of “Apranibita” is the greatest challenge.”- Percussive Notes
“Although there are ample technical challenges, the accomplished vibraphonist will find that giving a cohesive rendering of “Apranibita” is the greatest challenge.”- Percussive Notes
Fire Wire
$25.00A third-place winner in 2002 PAS composition contest for solo multiple percussion. The title is taken from the new form of USB, a high data-transfer cable which is the interface for today’s digital audio and video devices (allowing the user to send more than a CD’s worth of data every 10 seconds). In the piece, the performer becomes the Fire Wire, relaying information to the audience at a high rate of speed.
A third-place winner in 2002 PAS composition contest for solo multiple percussion. The title is taken from the new form of USB, a high data-transfer cable which is the interface for today’s digital audio and video devices (allowing the user to send more than a CD’s worth of data every 10 seconds). In the piece, the performer becomes the Fire Wire, relaying information to the audience at a high rate of speed.
Madison’s Unicorn
$12.00Simple and short (142 measures), yet beautifully written. 5.0 octave marimba required.
Simple and short (142 measures), yet beautifully written. 5.0 octave marimba required.
Masvikiro
$75.00For 8 percussionists, 3 of which serve as soloists and interact with the rest of the ensemble in ways which mimic the movements and works of the maskiviro (spiritual medium in the culture of Zimbabwe). Written for the NWU Percussion Ensemble.
For 8 percussionists, 3 of which serve as soloists and interact with the rest of the ensemble in ways which mimic the movements and works of the maskiviro (spiritual medium in the culture of Zimbabwe). Written for the NWU Percussion Ensemble.
Metamorphosis
$12.00Can be performed as a set or individually. A great recital choice. 5.0 marimba and independent roll technique required.
Can be performed as a set or individually. A great recital choice. 5.0 marimba and independent roll technique required.
No Screws Required
$15.00A much anticipated, “In Your Face” piece for the marimbist in need of new rep. Strong technique, ability to execute independent rolls, and a 5.0 octave instrument required.
A much anticipated, “In Your Face” piece for the marimbist in need of new rep. Strong technique, ability to execute independent rolls, and a 5.0 octave instrument required.
Nocturne
$25.00Nocturne is a 15 minute work for solo percussionist. The piece is multi-metric and draws its material through rhythmic
permutations of the main theme. The chimes are used to play “serial” melodies based on the southern hymn “My Song in
the Night.
Nocturne is a 15 minute work for solo percussionist. The piece is multi-metric and draws its material through rhythmic
permutations of the main theme. The chimes are used to play “serial” melodies based on the southern hymn “My Song in
the Night.
Rechargeable Light
$50.00Rechargeble Light received its premiere performance on August 4, 2000 at the Chautauqua Institute (Chautauqua, NY) with Michael Burritt as percussion soloist. It attempts to fuse electronic and acoustic sounds in a chamber music setting. Scored for percussion soloist playing non-pitched instruments accompanied by five percussionists playing mostly pitched instruments including two synthesizers and a MalletKat (a synthesizer comprised of triggers in the shape of a mallet keyboard).
Rechargeble Light received its premiere performance on August 4, 2000 at the Chautauqua Institute (Chautauqua, NY) with Michael Burritt as percussion soloist. It attempts to fuse electronic and acoustic sounds in a chamber music setting. Scored for percussion soloist playing non-pitched instruments accompanied by five percussionists playing mostly pitched instruments including two synthesizers and a MalletKat (a synthesizer comprised of triggers in the shape of a mallet keyboard).
Sharpened Stick
$38.00 – $44.00The Sharpend Stick is a Native American war song and dance that is in the “fish-step” style. It is said that the popular 1920’s dance craze the “Charleston” was derived from this dance.
The Sharpend Stick is a Native American war song and dance that is in the “fish-step” style. It is said that the popular 1920’s dance craze the “Charleston” was derived from this dance.
Uneven Surfaces
$50.00Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.
Solo timpani (5 drums) and 4 percussionists – vibraphone/bass drum/opera gong, marimba (5.0)/field drum, 2 congas/2 cowbells/tom-tom/sus. cym./glockenspiel. 2 bongos/2woodblocks/closed hi-hat/ribbon crasher/kickdrum/crotales. Premiered at PASIC 2004 by the Victoria Memorial Percussion Ensemble (for whom the piece was written) with John Beck playing the solo timpani part.