Jeremy Muller

Jeremy Muller is an innovative percussionist dedicated to exploring the confluence of technology and modern performance. He has performed as a soloist at many venues throughout North America including First Fridays in Phoenix, and PASIC in Columbus, OH and Austin, TX. Jeremy has several previous and ongoing collaborations with percussionist Greg Beyer, composers Alexandre Lunsqui, Andreas Stauder, Stuart Saunders Smith, and has worked with groups such as the world-renowned Percussion Group Cincinnati, Phoenix's premier new music ensemble Crossing 32nd Street, and the New Paradigm Percussion Quartet. As a composer, Jeremy has written many works often using interactive technology with live performance. His music has been premiered by the NIU "Bau House," Glendale CC Percussion Ensemble, and the Arizona Contemporary Music Ensemble at ASU. Currently, Jeremy is on faculty at Scottsdale Community College. He previously held fellowships at Arizona State University and the Cincinnati College-Conservatory of Music. In 2011, he was awarded a JumpStart Research Grant at ASU for his research and video project of Javier Alvarez's Temazcal. Jeremy received a Doctor of Musical Arts from Arizona State University, a Master of Music from the Cincinnati College-Conservatory of Music, and a Bachelor of Music degree from Appalachian State University. His principle teachers were J.B. Smith, Allen Otte, Jim Culley, and Rob Falvo. For more information see http://jeremymuller.com

From Jeremy Muller

Valse Brilliante Op. 34, No. 2 (Chopin/arr. Jeremy Muller)

$10.00

Bringing Chopin’s intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.

Bringing Chopin’s intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.