Showing 33–42 of 42 results
Showing 33–42 of 42 results
Searching for Starlight is written for vibraphone soloist and percussion ensemble. The vibraphonist uses the Malletech LoveVibe.
Searching for Starlight is written for vibraphone soloist and percussion ensemble. The vibraphonist uses the Malletech LoveVibe.
This piece was written to exploit the possibilities of a solo side drum set against a small group of other percussion instruments, as well as explore relative (rather than absolute) pitch in addition to rhythm and timbre.
This piece was written to exploit the possibilities of a solo side drum set against a small group of other percussion instruments, as well as explore relative (rather than absolute) pitch in addition to rhythm and timbre.
“This is a composition for solo marimba (5.0 octave) accompanied by two mallet-keyboard parts and two percussion parts. This piece will be rewarding for the intermediate to advanced percussion ensemble. It is very organic in sound and has wonderful amalgamations of percussion colors.”- Percussive Notes
“This is a composition for solo marimba (5.0 octave) accompanied by two mallet-keyboard parts and two percussion parts. This piece will be rewarding for the intermediate to advanced percussion ensemble. It is very organic in sound and has wonderful amalgamations of percussion colors.”- Percussive Notes
Winner of the 2001 Percussive Arts Society composition contest for large percussion ensembles.
Winner of the 2001 Percussive Arts Society composition contest for large percussion ensembles.
Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.
Another of Michael Burritt’s great works featuring a marimba soloist with percussion ensemble accompaniment. Second movement can stand on it’s own.
One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes
One vibraphone, three players, six movements, 15 minutes … I must admit this didn’t seem enticing at first; however Jonathan Kolm creates some very nice moments by utilizing various performance techniques. The selected techniques create wonderful changes in timbre and definitely provide a much-needed contrast for the ear of the listener.
– Jason Baker, Percussive Notes
This marimba part to this version is exactly the same as the original for solo marimba (2010). There are now additional string parts (two violins, viola, and cello) to accompany this solo. An even more beautiful version of one of Stout’s most beautiful compositions.
This marimba part to this version is exactly the same as the original for solo marimba (2010). There are now additional string parts (two violins, viola, and cello) to accompany this solo. An even more beautiful version of one of Stout’s most beautiful compositions.
1st-place winner in the 2005 PAS composition contest for percussion ensemble!
1st-place winner in the 2005 PAS composition contest for percussion ensemble!
White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.
White Pines was inspired by the energy, crispness and majesty of these snow-covered trees in the winter months near my home in New York. It is scored for solo marimba with both keyboard and battery percussion.
White Pines is originally the 2nd movement to a larger 3 movement work titled Home and is dedicated to and commissioned by the internationally renowned percussion group Nexus.
