Showing 1–20 of 79 results
Showing 1–20 of 79 results
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
Freedom and spontaneity are encouraged in this theatre orchestra arrangement of A Bunch of Roses, featuring a xylophone solo.
Inspired by the works of George Hamilton and Joe Green, Clair Omar Musser, Teddy Brown, and the recordings and arrangements made by NEXUS Percussion featuring Bob Becker, ‘A Recipe for Ms. Chalice’ from the hit video game ‘Cuphead: The Delicious Last Course,’ is Kris Maddigan’s homage to those artists.
Inspired by the works of George Hamilton and Joe Green, Clair Omar Musser, Teddy Brown, and the recordings and arrangements made by NEXUS Percussion featuring Bob Becker, ‘A Recipe for Ms. Chalice’ from the hit video game ‘Cuphead: The Delicious Last Course,’ is Kris Maddigan’s homage to those artists.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and clarinet.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and flute.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
Eric Sammut’s Ameline, for solo marimba, has been adapted to a duo format for marimba and violin.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
An Indian Story was composed by George Hamilton Green as a solo piece for xylophone, and was arranged by Cahn for full orchestra.
A compilation of British and American drum beatings written for one or more of both fife and drum.
A compilation of British and American drum beatings written for one or more of both fife and drum.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
“Stasis and motion; weight and weightlessness; pulse and impulse: these are the materials of Anima.”
Theodore Wiprud
Ethereal percussion quartet fit for advanced ensembles.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An energetic groove in 5/8 by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
An introspective and rhythmic piece by Don Skoog, composer of the award-winning piece Water and Fire. Arranged for Marimba, Bass, and Drums.
Bombala is an original work that was created to feature the performance of the children in the ROCdrummers alongside of the professional musicians of the Rochester Philharmonic Orchestras, among the finest in the world.
Bombala is an original work that was created to feature the performance of the children in the ROCdrummers alongside of the professional musicians of the Rochester Philharmonic Orchestras, among the finest in the world.
Arranged for five percussionists, Ching was dedicated to John Wyre, a former member of Cahn’s group NEXUS.
Arranged for five percussionists, Ching was dedicated to John Wyre, a former member of Cahn’s group NEXUS.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Clear Things May Not Be Seen was composed during 2017 and 2018. It is scored for two soprano soloists, string quartet, clarinet, bass clarinet, marimba and vibraphone. The lyrics are drawn from three poems by the American author Conrad Aiken (1889 – 1973): Miracles; and poems XCII and LXXXIX from his epic cycle Time in the Rock.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
Cahn’s rendition and variations of the “Crazy Army” street beat for snare drum posted by many on YouTube.
The first book to fully unravel the intricacies of dampening and pedaling on the vibraphone. Includes 16 etudes of progressive difficulty and varying style, and explores dampening techniques from foundational to lesser-known.
The first book to fully unravel the intricacies of dampening and pedaling on the vibraphone. Includes 16 etudes of progressive difficulty and varying style, and explores dampening techniques from foundational to lesser-known.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
Détourner le Regard (to shift one’s gaze) represents our ability to turn away from the unpleasant. This piece symbolizes the importance of creating stillness in one’s life, allowing for clarity and truth.
The eight etudes from Becker’s snare drum text Rudimental Arithmetic are now available in its own collection. Includes original program and performance notes, with translations in German, French, and Japanese.
The eight etudes from Becker’s snare drum text Rudimental Arithmetic are now available in its own collection. Includes original program and performance notes, with translations in German, French, and Japanese.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
This arrangement of Fauna is for orchestra, while originally composed in April/May 1988 for the Toronto-based percussion group, NEXUS.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
Arranged for band, Fluffy Ruffles was originally composed by one of the most prolific figures in the world of xylophones, George Hamilton Green.
