Showing 33–48 of 151 results
Showing 33–48 of 151 results
Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.
Yet another wonderful vibraphone and marimba duet from Roland Stolk! Slightly longer than Foreign Breakfast, this piece would also work well on a percussion ensemble program or a joint recital. 4.6 octave marimba required.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.
This is the third Duo (Dance-Song) written by Gordon Stout for marimba and wind instrument. Both parts are virtuosic and exciting. The two instruments compliment each other beautifully.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
This is the second of Stout’s Duo Dance-Songs. It was written for Steve Mauk at the Ithaca College of Music. Like the others, both performers have virtuosic roles.
It is rare that the instrumental combination of two-mallet marimba and piano sounds like a serious piece of chamber music, but this new work by Rick Orpen belies the stereotype. This work is also substantial in length, filling almost ten minutes with interesting and challenging music.
It is rare that the instrumental combination of two-mallet marimba and piano sounds like a serious piece of chamber music, but this new work by Rick Orpen belies the stereotype. This work is also substantial in length, filling almost ten minutes with interesting and challenging music.
Although written for a 5.0 octave marimba, Orpen offers suggestions to accommodate a 4.3 octave instrument. This piece is 6:20 in length and requires an ability to execute strong octaves in both hands.
Although written for a 5.0 octave marimba, Orpen offers suggestions to accommodate a 4.3 octave instrument. This piece is 6:20 in length and requires an ability to execute strong octaves in both hands.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Earth Tones was composed in 2011 for the RoseWind Duo (Clifford Leaman, saxophone and Scott Herring, marimba). It is written as a series of seven short descriptive movements, each portraying one of the diverse environments found on the planet Earth.
Erlkonig is perhaps the best known of Franz Schubert’s songs. Inspired by a guitar version of the piano accompaniment, Baker has arranged it to be played on a 4.6 marimba. The sound of the marimba is perfect for this dark, haunting composition. For low voice and marimba.
Erlkonig is perhaps the best known of Franz Schubert’s songs. Inspired by a guitar version of the piano accompaniment, Baker has arranged it to be played on a 4.6 marimba. The sound of the marimba is perfect for this dark, haunting composition. For low voice and marimba.
