Showing 1–16 of 71 results
Showing 1–16 of 71 results
A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.
A charming set of six intermediate level works. The musical style is unique in the marimba repertoire: Soviet influenced pictorialism with an Armenian flavored chromaticism.
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Alabama Moon was composed (both lyrics and music) by George Hamilton Green in 1920, and quickly published by the Sam Fox Company. Written in the nostalgic style of a southern waltz, the words and melody convey a popular period idiom of the 1920s era.”After a fantastic performance by Bob and Yurika at PASIC 2013 … I’m sure ‘Alabama Moon’ is already on the music stands of many ragtime enthusiasts.”-Percussive Notes
Arranged for marimba duo
Arranged for marimba duo
(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.
(New expanded 12-movement edition) A delightful set of programmatic works that achieved standard repertoire status almost instantly when it was first transcribed 25 years ago.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
Transcribed for solo vibraphone.
Transcribed for solo vibraphone.
Music from Four-Mallet Ballet
Music from Four-Mallet Ballet
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
From the first NEXUS “Ragtime” album, Bill Cahn has established himself as a great arranger and performer of “Xylophone Novelty Music”. Most compositions are arranged to be performed by a xylophone soloist and four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Eric Sammut has arranged three charming movement’s from Bizet’s famous opera. Each movement has its own character but with a hint of Sammut’s well known style.
Eric Sammut has arranged three charming movement’s from Bizet’s famous opera. Each movement has its own character but with a hint of Sammut’s well known style.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
Music originally for guitar in Brazilian folk style, written by Augusto Marcellino. These much anticipated pieces adapt wonderfully to the marimba.
