$14.00
Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a “liberate” style.
These three short pieces can be played individually, or as a set. The first is a kind of endearing introduction, the second is more rhythmic and the third is in a “liberate” style.
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
Unmistakably Sweet Sammut. If you know the Rotations or Cameleon, Stroboscope is similarly “French” in its style and harmony, but a smidge easier than Rotations 1 and 3.
These pieces have all the attributes of crowd pleasers: catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers: catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
These pieces have all the attributes of crowd pleasers catchy rhythms, memorable memories, a bit of swing and even some jazzy harmonies. One or more of these Rotations makes for a perfect end of an advanced recital. OK for 4.3 range marimba.
Eric Sammut’s Ameline is for solo marimba. This solo is full of split, syncopated rhythms divided between the left and the right hand. This solo bounces between a 7/8 and 4/4 time signature.
| Difficulty | Advanced |
|---|---|
| Performance Type | Solo |
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day. Can be played on a 4.3 octave marimba.
Inspired by Tyson’s rafting adventure with John Parks on the Boise River. This piece depicts the beauty, excitement, and occasional feeling of losing control that they experienced in the raft that day. Can be played on a 4.3 octave marimba.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
Written for Leigh Howard Stevens and She-e Wu, this jazzy piece requires two advanced players and two 5.0 octave instruments. A “must play” if you have a friend ready and willing to take on the challenge with you.
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
An intermediate solo marimba piece, reminiscent of a summer sunset in the country.
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
A duo for flute and 5.0-octave marimba.
A duo for flute and 5.0-octave marimba.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
Four-Mallet Progressive Literature is designed to be a companion to Four-Mallet Method for Marimba. The music selected for this text represents guitar and keyboard literature of major composers from the 16th through 19th centuries.
Four-Mallet Progressive Literature is designed to be a companion to Four-Mallet Method for Marimba. The music selected for this text represents guitar and keyboard literature of major composers from the 16th through 19th centuries.
