Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba. A wonderful piece, which audiences are bound to adore!
$8.00
Bluegrass Girl
Writing for marimba virtuoso Nancy Zeltsman, well-known composer Murray Houllif has translated elements of bluegrass style into music that is completely idiomatic for the marimba.
Three Movements for Multi-Percussionist and Percussion Quartet
$30.00A PAS prize-winning composition for solo multi-percussion and percussion quartet.
A PAS prize-winning composition for solo multi-percussion and percussion quartet.
Jerry-Rigged
$8.00A 4.3 marimba solo inspired by the Grateful Dead.
A 4.3 marimba solo inspired by the Grateful Dead.
Related products
Charleston Capers (G.H. Green/arr. Bob Becker)
$20.00The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
Method of Movement
$35.00The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
Twilight
$40.00In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
Sirocco
$12.00Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
The Two Woodpeckers Polka
$12.00For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
Four-Mallet Progressive Literature
$25.00Four-Mallet Progressive Literature is designed to be a companion to Four-Mallet Method for Marimba. The music selected for this text represents guitar and keyboard literature of major composers from the 16th through 19th centuries.
Four-Mallet Progressive Literature is designed to be a companion to Four-Mallet Method for Marimba. The music selected for this text represents guitar and keyboard literature of major composers from the 16th through 19th centuries.
Skylark Orange Circles
$35.00Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.
Duet for two marimbasSkylark Orange Circles is dedicated to the wonderful Japanese marimba virtuoso, Momoko Kamiya. The music is very dance-like in quality, going over and over through mostly the same sequence of harmonies while melodic variations are developed. The melodic ideas become more and more like a bird (or flute) singing as the work progresses.