$8.00
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
LHS’ piece uses musical illusions to conjure up a sound reminiscent of a film-noir score.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
This simple but beautiful work is based on a three note descending bass line and right hand triad arpeggiations. It can be performed as a three or four mallet piece.
Two books in one binding, 106 pages. Six Suites for Violoncello solo BWV 1007-1012 Transcribed for Marimba by Leigh Howard Stevens. Marimbist’s Guide to Performing Bach by Leigh Howard Stevens. Introduction and musical text edited by Dominik Sackmann.
Two books in one binding, 106 pages. Six Suites for Violoncello solo BWV 1007-1012 Transcribed for Marimba by Leigh Howard Stevens. Marimbist’s Guide to Performing Bach by Leigh Howard Stevens. Introduction and musical text edited by Dominik Sackmann.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
Marimba music doesn’t get much heavier than the second half of this set. Even the light and simple movements such as Soldier’s March and Wild Rider have a certain Germanic seriousness.
This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.
This familiar work of Spanish composer Isaac Albeniz is best known to concert audiences in its guitar transcription. Rather than base his transcription on one of the many guitar editions, Stevens went back to the original piano work which appears in Cantos de Espana Op. 232.
This highly chromatic chorale is transcribed for low ‘A’ marimba. One of Bach’s great 371 Chorales.
This piece is included on the CD Bach on Marimba and available as part of the sheet music collection of all pieces from Bach on Marimba.
| Difficulty | Intermediate |
|---|---|
| Performance Type | Arrangement/Transcription |
For marimba duet with piano accompaniment
For marimba duet with piano accompaniment
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
This fine collection includes Furioso and Valse in D Minor, Capriccio Marimba, Dance of the Hippolollipops, Etude 1955 and Habanera.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
Another delightful piece of Butov’s for xylophone solo, accompanied by two marimbists playing one marimba. Piano accompaniment/score included.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
In Twilight, Brostrom focuses on basic ideas of chords and color transformation. An example of this occurs in the opening phrase as chords are passed off from duo to duo. “Twilight” is defined as “the light from the sky between full night and sunrise or between sunset and full night” or simply as “an intermediate state that is not clearly defined.” (Intermediate to Advanced)Duration 6:00.
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
All Four Rotations, now available in one collection!
All Four Rotations, now available in one collection!
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
The most detailed text ever written on the subject of four mallet playing. 15 chapters covering grip, strokes, shifts, tone production, interval changes, efficient movement around the instrument.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
This outstanding etude book emphasizes the equalization of the two hands via musically interesting compositions.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
(for two Marimbas) Described by the composer as “fun, happy, crazy, and exciting all at the same time.” This piece offers a great opportunity for collaboration between two advanced players who enjoy working together.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
The arrangement Bob Becker made for NEXUS which has caught the attention of audiences and percussionists around the world and created a whole new fascination with the xylophone as a solo instrument. The accompaniments require four players performing on a minimum of two marimbas.
