Gordon Stout (b.1952) is currently Professor of Percussion at the School of Music, Ithaca College, Ithaca, N.Y., where he has taught percussion since 1980.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
This 5.0-octave marimba solo, while not full of Stout’s customary intricacies and technical challenges, is intensely poetic and passionate – a performance challenge in and of itself. The nature of the piece is that of a lullaby. With a quarter-note pulse that is woven throughout, the music has a lilting and rocking quality.
Gordon Stout’s Two Mexican Dances are a standard in the percussion community. This work has been recorded and performed in recital many time over. Each of the movements may be played in conjunction or independently of each other.
Gordon Stout’s Two Mexican Dances are a standard in the percussion community. This work has been recorded and performed in recital many time over. Each of the movements may be played in conjunction or independently of each other.
A virtuosic duo in three movements for flute and 5.0-octave marimba. Dedicated by the composer to the students of Vale Venito in Brazil, after teaching there in 2013.
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
After 40 years with the New York Philharmonic and more than twenty years teaching at the Juilliard School, Elden “Buster” Bailey, one of the greatest snare drummers and snare drum teachers of all time, has finally written a snare drum book!
